Collection: Prints and Drawings / Subject Terms: 3 selected - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Collection Prints and Drawings

Subject Terms bathing

Subject Terms trees

Subject Terms women

1. Nymphs Bathing

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 11 11/16 inches (25.7 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Venus Bathing

Creator:: Print made by James Johnson, 1803–1834
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 × 13 1/2 inches (50.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Peggy Advocates a Sweetheart

Peggy Advocates a Sweetheart

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

5. Diana at a Fountain

No cover image available

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint, state before all letters on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 7 1/8 inches (25.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund