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Collection Prints and Drawings

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The Gardens of the Villa Albani
Creator:
Edward Lear, 1812–1888
Date:
1840
Materials & Techniques:
Graphite, black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/2 x 16 1/4 inches (21.6 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Composition: Recollection of J.R. Cozen's of Nemi
Creator:
Dr. Thomas Monro, 1759–1833
Date:
between 1790 and 1820
Materials & Techniques:
Black chalk and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 9 5/8 inches (18.6 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unfinished View of the Palatine in Rome
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 1/4 inches (37.7 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Tivoli in the Direction of the North Wind
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 5/16 inches (38 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Falls at Tivoli
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1752 and 1757
Materials & Techniques:
Gray wash, graphite, and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 9 1/4 x 14 1/8 inches (23.5 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Ruins at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash, blue wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 3/16 inches (37.9 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Ruined Baths at Hadrian's Villa at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 x 21 5/16 inches (38.1 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Creator:
Jacob More, 1740–1793
Date:
1783
Materials & Techniques:
Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hermitage at Frascati
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Watercolor and graphite on very thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 3 3/4 inches (24.4 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection