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Credit Line Yale Center for British Art, Paul Mellon Fund

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Caen - Eglise Saint-Sauveur
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Midget

Midget
Creator:
Sir Peter Blake, born 1932
Date:
between 1974 and 1978
Materials & Techniques:
Wood engraving on beige Japanese Tonosawa handmade paper
Dimensions:
Sheet: 10 1/4 × 8 1/4 inches (26 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Flute Player
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
between 1765 and 1771
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/16 x 10 15/16 inches (36 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Peasants Drinking
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
between 1765 and 1771
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 7/8 x 5 7/8 inches (20 x 15 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Peasant Family
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
between 1765 and 1771
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/16 x 5 1/2 inches (18 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Country Artist
Creator:
James Smetham, 1821–1889
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 3 3/16 inches (12.2 × 8.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund