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William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
Christian Josi Peace
Christian Josi, ca. 1765–1828
Peace
ca. 1802
James Peller Malcolm Brook House, Hackney
James Peller Malcolm, 1767–1815
Brook House, Hackney
1797
John Thomas Smith Near Deptford, Kent
John Thomas Smith, 1766–1833
Near Deptford, Kent
1797
unknown artist Kings Yard, Deptford
unknown artist
Kings Yard, Deptford
1797
James Peller Malcolm Mr. Alderman Curtis's Southgate Outer Suburb - North
James Peller Malcolm, 1767–1815
Mr. Alderman Curtis's Southgate Outer Suburb - North
1797
James Peller Malcolm Wyer Hall, Edmonton, Outer Suburb - North
after James Peller Malcolm, 1767–1815
Wyer Hall, Edmonton, Outer Suburb - North
1797
unknown artist Entrance of Piccadilly or Hyde Park Corner Turnpike
unknown artist
Entrance of Piccadilly or Hyde Park Corner Turnpike
1797
unknown artist Transept of St. Paul's from the North Entrance
unknown artist
Transept of St. Paul's from the North Entrance
1797
James Peller Malcolm Richmond Church, Surry, Western Outer Suburb
James Peller Malcolm, 1767–1815
Richmond Church, Surry, Western Outer Suburb
1797
unknown artist St. Peter le Poor, Broad Street
unknown artist
St. Peter le Poor, Broad Street
1797
unknown artist St. Peter le Poor, Broad Street
unknown artist
St. Peter le Poor, Broad Street
1797
unknown artist Shoreditch Church, North West
unknown artist
Shoreditch Church, North West
1797
John Thomas Smith Near Palmer's Green, Edmonton, Outer Suburb - North
John Thomas Smith, 1766–1833
Near Palmer's Green, Edmonton, Outer Suburb - North
1797
John Thomas Smith Near Ball's Cross, Enfield, Outer Suburb - North
John Thomas Smith, 1766–1833
Near Ball's Cross, Enfield, Outer Suburb - North
1797
John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North
John Thomas Smith, 1766–1833
In Green Street, Enfield Highway, Outer Suburb North
1797
Thomas Prattent North View of the New Buildings at the Bank of England (page 20, volume 1)
Print made by Thomas Prattent, active 1780–1810
North View of the New Buildings at the Bank of England (page 20, volume 1)
1797
William Angus Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury
William Angus, 1752–1821
Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury
1797
William Knight View of London from Highgate
William Knight, active 1807–1845
View of London from Highgate
1797
unknown artist Arcade of the North Front of the Royal Exchange
unknown artist
Arcade of the North Front of the Royal Exchange
1797
unknown artist Old Houses in Duke Street West Smithfield
unknown artist
Old Houses in Duke Street West Smithfield
1797
George Murray View of Somerset House
George Murray, died 1822
View of Somerset House
1797
Thomas Gaugain Turnips and Carrots Ho
Thomas Gaugain, 1748–1812
Turnips and Carrots Ho
1797
Thomas Prattent Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield
Thomas Prattent, active 1780–1810
Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield
1797
John Thomas Smith In Bury Street, Edmonton, Outer Suburb - North
John Thomas Smith, 1766–1833
In Bury Street, Edmonton, Outer Suburb - North
1797
John Thomas Smith On Scotland's Green, Ponder's - End, Outer Suburb - North
John Thomas Smith, 1766–1833
On Scotland's Green, Ponder's - End, Outer Suburb - North
1797
John Thomas Smith In Bury Street, Edmonton Outer Suburb - North
John Thomas Smith, 1766–1833
In Bury Street, Edmonton Outer Suburb - North
1797
John Thomas Smith Near Edmonton Church, Outer Suburb - North
John Thomas Smith, 1766–1833
Near Edmonton Church, Outer Suburb - North
1797
John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North
John Thomas Smith, 1766–1833
In Green Street, Enfield Highway, Outer Suburb North
1797
John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North
John Thomas Smith, 1766–1833
In Green Street, Enfield Highway, Outer Suburb North
1797
Christian Josi The Peasant's Repast
Christian Josi, ca. 1765–1828
The Peasant's Repast
1797
unknown artist Plumstead, Kent
unknown artist
Plumstead, Kent
1797
Philip Audinet West View of Temple Bar
Philip Audinet, 1766–1837
West View of Temple Bar
1797
John Ogborne the Elder The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
John Ogborne the Elder, 1755–1795
The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
1797
Philip Audinet View of the Tower
Philip Audinet, 1766–1837
View of the Tower
1797
unknown artist Typus, Parcchia Divi Marini vulgi St. Martin's Outwich
unknown artist
Typus, Parcchia Divi Marini vulgi St. Martin's Outwich
1797
John Thomas Smith Near Jack Straw's Castle, Hampstead Heath
John Thomas Smith, 1766–1833
Near Jack Straw's Castle, Hampstead Heath
1797
John Thomas Smith Near Battle Bridge, Middlesex
John Thomas Smith, 1766–1833
Near Battle Bridge, Middlesex
1797
unknown artist Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus
unknown artist
Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus
1797
unknown artist Westminster Hall/ The First Day of Term/ A Satirical Poem
unknown artist
Westminster Hall/ The First Day of Term/ A Satirical Poem
1797
Francesco Bartolozzi Their Royal Highnesses, The Prince & Princess Of Wales
Print made by Francesco Bartolozzi, 1728–1815
Their Royal Highnesses, The Prince & Princess Of Wales
1797
Francesco Bartolozzi The Apotheosis of A Beautiful Female
Francesco Bartolozzi, 1728–1815
The Apotheosis of A Beautiful Female
1797
Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
Francesco Bartolozzi Flight Into Egypt
Francesco Bartolozzi, 1728–1815
Flight Into Egypt
1797
Francesco Bartolozzi The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise
Francesco Bartolozzi, 1728–1815
The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise
1797
Henry Hoppner Meyer Wilkie
Henry Hoppner Meyer, ca. 1782–1847
Wilkie
undated
William Sadler John Ralston
William Sadler, c. 1782–1839
John Ralston
undated
Francesco Bartolozzi Jacob's Vision, Genesis 28, v. II
Francesco Bartolozzi, 1728–1815
Jacob's Vision, Genesis 28, v. II
1797
Francesco Bartolozzi Abraham Entertaining Three Angels, Genesis 18, v. 1
Francesco Bartolozzi, 1728–1815
Abraham Entertaining Three Angels, Genesis 18, v. 1
1797
Francesco Bartolozzi The Birth of Pyrrhus
Francesco Bartolozzi, 1728–1815
The Birth of Pyrrhus
1797
Francesco Bartolozzi Princess Charlotte Augusta
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
Francesco Bartolozzi Princess Charlotte Augusta
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
unknown artist Landscape
unknown artist
Landscape
1797
Richard Newton The Ins and Outs or the Jesuits treatment of his friends
Richard Newton, 1777–1798
The Ins and Outs or the Jesuits treatment of his friends
1797
unknown artist Set a Thief to Catch a Thief
unknown artist
Set a Thief to Catch a Thief
ca. 1802
unknown artist Macklin's Gallery of Modern Paintings
unknown artist
Macklin's Gallery of Modern Paintings
1797
Thomas Rowlandson Set of Six Views in London, (Turn Pike series)
Thomas Rowlandson, 1756–1827
Set of Six Views in London, (Turn Pike series)
1797
Constable, John, 1776-1837. Letter to John Thomas Smith.
Constable, John, 1776–1837
Letter to John Thomas Smith
1797, between January 16 and March 23
Ireland, Samuel, -1800, author, illustrator. Picturesque views on the River Wye :
Ireland, Samuel, -1800
Picturesque views on the River Wye
1797
Thomson, James, 1700-1748. The seasons,
Thomson, James, 1700–1748
The seasons,
1797
Whereas the game within the manor of Pinkhurst, and in several parts of the parishes of Itchingfield, Slinfold, Billingshurst, and Rudgwick, in the county of Sussex, has of late years, and up to the present time, been greatly destroyed by poachers, unqualified, and unlicenced persons ...
Whereas the game within the manor of Pinkhurst, and in several parts of the parishes of Itchingfield, Slinfold, Billingshurst, and Rudgwick, in the county of Sussex, has of late years, and up to the present time, been greatly destroyed by poachers, unqualified, and unlicenced persons ..
[1797]
Bewick, Thomas, 1753-1828. History of British birds.
Bewick, Thomas, 1753–1828
History of British birds
1797-1804