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Lake Geneva and Mount Blanc
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1802 to 1805
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink and scraping out on slightly textured, cream wove paper
Dimensions:
Sheet: 28 7/8 x 44 5/8 inches (73.3 x 113.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lane with Figures, May 1802
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Chepstow Castle, Monmouthshire, from Under the Bridge
Creator:
John Varley, 1778–1842
Date:
1802
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 11 9/16 x 20 1/16 inches (29.4 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Battersea Fields, Painted for Charles Matthews, Esq.
Creator:
Patrick Nasmyth, 1787–1831
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured gray wove paper
Dimensions:
Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Convent of St. Nicholas
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sandsend, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woodland Study
Creator:
Robert Hills, 1769–1844
Date:
1802
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 5/8 inches (24.4 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection