Date: 1827 / Image Available: Unavailable / Classification: Prints

1. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Illustrations to Dante's Divine Comedy

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Illustrations to Dante's "Divine Comedy"

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Illustrations to Dante's Divine Comedy

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 10 5/8 x 13 15/16in. (27 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Girl at her Devotions (Volume of 102 Lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

11. The Orphans (Volume of 102 Lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. George L. Green

12. The Eagle Paris and Dover [sic] Coach

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 13 5/8 x 18 3/4in. (34.6 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Mail Coach Behind Time

Creator:: Engraved by Henry Pyall, 1795–1833
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

15. Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

16. Don Quixote and Sancho Panza (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

17. La Rosa Parlante (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

18. Girl and Parrot (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

19. Love, Jealously, Revenge and Despair

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

20. Modesty/ Modestie (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

21. Impudence/ Impudence (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

22. Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

23. Illustrations to Milton's 'Paradise Lost'

Creator:: John Martin, 1789–1854
Date:: 1827
Materials & Techniques:: Mezzotint and etching
Dimensions:: Sheet: 8 x 11in. (20.3 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Set of Four - Racing: Preparing to Start

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Set of Four - Racing: Coming In

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Fox Hunting: Leicestershire - Getting Away

Creator:: after Henry Thomas Alken, 1785–1851
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Set of Four - Racing: Running

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.

Creator:: Charles Hunt, 1803–1877
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 17 1/4in. (34.6 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Stage Coach

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 5/8 x 19 1/8in. (42.2 x 48.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Coaching: The Mail Coach in a Flood

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 7/8in. (33.3 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Set of Four - Racing: Exercising

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 1st of September

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Meditation

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1827
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 1/2 x 10 3/4in. (36.8 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. 1st of October

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 1st of October

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 1st of September

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Robert Dundas, second Viscount Melville

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

43. Robert Dundas, second Viscount Melville

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

44. The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

Creator:: Print made by John Phillips, active 1840–1852
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 18 inches (29.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

45. Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!

Creator:: Print made by unknown artist
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 × 11 3/4 inches (43.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

46. The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery.

Creator:: Print made by unknown artist
Date:: 1827
Materials & Techniques:: Aquatint and etching with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 19 1/2 inches (38.4 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

47. Tears of Repentance. Cabinet In's and Out's

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 1/4 inches (28.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson.

48. Removing Rubbish. Cabinet In's and Out's

Creator:: Print made by John Phillips, active 1840–1852
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

49. Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing

Creator:: Print made by Thomas Jones, active 1828
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 7/8 inches (28.6 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

50. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, etching, graphite, and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. To His most excellent Majesty the King, these select views of Windsor Castle and the adjacent scenery are with gracious permission dedicated / by his Majesty's faithful subject & servant, William Daniell, R.A.

Creator:: Daniell, William, 1769–1837
Date:: [1827?]
Physical Description:: 12 prints : aquatint ; images 30 x 51 cm, mounted on sheets 50 x 71 cm
Collection:: Rare Books and Manuscripts

52. Panorama prise au sommet du Mont Rigi / par Henry Keller.

Creator:: Keller, Heinrich, 1778–1862
Date:: [1827]
Physical Description:: 1 print on 2 sheets : hand-colored aquatint ; 19 x 94 cm, accordion folded to 20 x 11 cm
Collection:: Rare Books and Manuscripts

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Date 1827

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1. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

2. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

3. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]

4. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

5. Illustrations to Dante's Divine Comedy

6. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

7. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

8. Illustrations to Dante's "Divine Comedy"

9. Illustrations to Dante's Divine Comedy

10. A Girl at her Devotions (Volume of 102 Lithographs)

11. The Orphans (Volume of 102 Lithographs)

12. The Eagle Paris and Dover [sic] Coach

13. Mail Coach Behind Time

14. Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)

15. Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)

16. Don Quixote and Sancho Panza (Volume of 102 lithographs)

17. La Rosa Parlante (Volume of 102 lithographs)

18. Girl and Parrot (Volume of 102 lithographs)

19. Love, Jealously, Revenge and Despair

20. Modesty/ Modestie (Volume of 102 lithographs)

21. Impudence/ Impudence (Volume of 102 lithographs)

22. Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)

23. Illustrations to Milton's 'Paradise Lost'

24. Set of Four - Racing: Preparing to Start

25. Set of Four - Racing: Coming In

26. Fox Hunting: Leicestershire - Getting Away

27. Set of Four - Racing: Running

28. [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.

29. Stage Coach

30. Coaching: The Mail Coach in a Flood

31. Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.

32. Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV

33. Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV

34. Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV

35. Set of Four - Racing: Exercising

36. 1st of September

37. Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV

38. Meditation

39. 1st of October

40. 1st of October

41. 1st of September

42. Robert Dundas, second Viscount Melville

43. Robert Dundas, second Viscount Melville

44. The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

45. Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!

46. The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery.

47. Tears of Repentance. Cabinet In's and Out's

48. Removing Rubbish. Cabinet In's and Out's

49. Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing

50. Dover

51. To His most excellent Majesty the King, these select views of Windsor Castle and the adjacent scenery are with gracious permission dedicated / by his Majesty's faithful subject & servant, William Daniell, R.A.

52. Panorama prise au sommet du Mont Rigi / par Henry Keller.