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Period 18th century-19th century

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Subject Terms monastery

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Malmesbury Abbey
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 6 1/8 × 12 1/2 inches (15.6 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monastery for Women
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
Furness Abbey
Creator:
George Heriot, 1766–1844
Date:
undated
Materials & Techniques:
Gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/16 × 19 5/8 inches (33.5 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Monks Carousing outside a Monastery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown, black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 7/8 inches (15.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scene in a Monastery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown and gray ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 x 7 1/2 inches (13.3 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cloisters of a Monastery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red ink and pen and gray ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/8 x 7 7/8 inches (12.4 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection