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Classification Drawings & Watercolors

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'Rather Too Slow'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 1/8 inches (23.7 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Riding to Horses with Difficulty'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Getting Across the Country Like a Gentleman'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 3/8 inches (23.5 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Foxhunting: The Refreshment
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, blue ink, graphite and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Rather Too Fast'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Race Meeting at Newmarket Heath
Creator:
Jan Wyck, ca. 1645–1700
Date:
ca. 1671
Materials & Techniques:
Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund