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Lucas, Fielding, Jr., 1781-1854, author, publisher. Lucas' progressive drawing book, in three parts :
Lucas, Fielding, Jr., 1781–1854
Lucas' progressive drawing book, in three parts
1827
Wells, John, 1757 or 1758-1843. An epitome of perspective /
Wells, John, 1757 or 1758–1843
An epitome of perspective
1817]
Wood, John George, 1768-1838. Footsteps to drawing, according to the rules of perspective :
Wood, John George, 1768–1838
Footsteps to drawing, according to the rules of perspective
1816
Whittock, N. (Nathaniel), 1791-1860. The Oxford drawing book, or, The art of drawing, and the theory and practice of perspective, in a series of letters containing progressive information on sketching, drawing, and colouring landscape scenery, animals, and the human figure :
Whittock, N. (Nathaniel), 1791–1860
The Oxford drawing book, or, The art of drawing, and the theory and practice of perspective, in a series of letters containing progressive information on sketching, drawing, and colouring landscape scenery, animals, and the human figure
[between 1829 and 1848]
Brown, Richard, architect. The rudiments of drawing cabinet and upholstery furniture:
Brown, Richard, architect
The rudiments of drawing cabinet and upholstery furniture
1820
Orme, William, active 1797-1819. William Orme's Rudiments of landscape drawing, and perspective /
Orme, William, active 1797–1819
William Orme's Rudiments of landscape drawing, and perspective
[1802]
Prout, Samuel, 1783-1852. Bits for beginners /
Prout, Samuel, 1783–1852
Bits for beginners
1817
Whittock, N. (Nathaniel), 1791-1860. The Oxford drawing book, or, The art of drawing, and the theory and practice of perspective, in a series of letters containing progressive information on sketching, drawing, and colouring landscape scenery, animals, and the human figure :
Whittock, N. (Nathaniel), 1791–1860
The Oxford drawing book, or, The art of drawing, and the theory and practice of perspective, in a series of letters containing progressive information on sketching, drawing, and colouring landscape scenery, animals, and the human figure
[between 1829 and 1848]