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Bacchus et Ariadne
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 7 15/16 inches (27.1 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Silenus

Silenus
Creator:
Print made by Robert Blyth, 1750–1784
Date:
1779
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 x 9 13/16 inches (27.9 x 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Silenus

Silenus
Creator:
Print made by Robert Blyth, 1750–1784
Date:
1779
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:
Sheet: 11 x 9 13/16 inches (27.9 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Garrick Reading the Ode at the Shakespeare Jubilee
Creator:
Caroline Watson, 1760–1814
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alexander
Bacchus and Ariadne
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 7 inches (22.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund