Download/Print Selected Image
- Title:
Lago d'Agnano with Vesuvius in the distance
- Former Title(s):
Lake d'Agnano with Vesuvius
- Date:
- between 1770 and 1775
- Medium:
- Oil on canvas
- Dimensions:
- 17 1/2 x 20 3/4 inches (44.5 x 52.7 cm), Frame: 23 3/8 × 27 1/8 × 2 1/2 inches (59.4 × 68.9 × 6.4 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1981.25.682
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1981.25.682FR
- Subject Terms:
- fence | geology | Italian | lake | landscape | mountains | science | smoke | trees | view | volcano | volcano | water | women
- Associated Places:
- Agnano, Lago di | Italy | Napoli | Vesuvius
- Access:
- Not on view
- Link:
- https://collections.britishart.yale.edu/catalog/tms:1142
- Export:
- XML
- IIIF Manifest:
- JSON
Hogarth, Reynolds, Turner: British Painting and the Rise of Modernity (Fondazione Roma Museo - Palazzo Sciarra, 2014-04-14 - 2014-07-20) [YCBA Objects in the Exhibition]
Richard Wilson - The Landscape of Reaction (Yale Center for British Art, 1983-04-20 - 1983-06-19) [YCBA Objects in the Exhibition]
Richard Wilson - The Landscape of Reaction (National Museum Wales, 1983-01-29 - 1983-03-20) [YCBA Objects in the Exhibition]
Richard Wilson - The Landscape of Reaction (Tate Britain, 1982-11-03 - 1983-01-02) [YCBA Objects in the Exhibition]
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20) [YCBA Objects in the Exhibition]
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20) [YCBA Objects in the Exhibition]
Duncan Bull, Classic ground, British artists and the landscape of Italy, 1740-1830 , Yale Center for British Art, New Haven, 1981, p. 23, no. 2, ND1354.4 B85 (YCBA) [YCBA]
W. G. Constable, Richard Wilson, Routledge & Kegan Paul, London, 1953, p. 190, NJ18 W72 C55 (YCBA) [YCBA]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 254, 255, N590.2 A83 (YCBA) [YCBA]
Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 76, ND466 G67 (YCBA) [YCBA]
Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 17 (v.1)..., no. 56, pl. 71, ND466 R68 1964/65 (YCBA) Also available on Microfiche: Fiche B214 (YCBA) [YCBA]
Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon. , Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 45 (v.1), no. 18, pl. 210, ND466 V57 v.1-2 (YCBA) [YCBA]
Skira editore, Hogarth Reynolds Turner : British painting and the rise of modernity, Rome, 2014, pp. 228, 286-87, cat. no. 79, fig. 79, ND466 .H65 2014 OVERSIZE (YCBA) [YCBA]
David H. Solkin, Richard Wilson, the landscape of reaction, Tate Publishing, London, 1982, p. 245, no. 141, no. 141, NJ18 W72 S65 + (YCBA) [YCBA]
Spencer-Longhurst, Paul, with Kate Lowry and David Solkin, Richard Wilson Online : A Digital Catalogue Raisonne, , The Paul Mellon Centre for Studies in British Art, London, 2014, no. P47A, http://www.richardwilsononline.ac.uk/index.php?WINID=1582051040261 [ORBIS]
Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965. , vol. 1, W. Clowes and sons, New Haven, 1965, p. 61 (v.1), no. 225, pl. 71, ND466 Y35 (YCBA) [YCBA]