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Creator:
Richard Wilson RA, 1714–1782, British, active in Italy (1750–56)
Title:

Dover [1985, Cormack, YCBA Concise Catalogue]

Former Title(s):

View of Dover Castle

View of Dover

Date:
between 1746 and 1747
Medium:
Oil on canvas
Dimensions:
Support (PTG): 17 x 21 1/2 inches (43.2 x 54.6 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1976.7.173
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
beach | boats | buildings | city | cityscape | cliffs | clouds | fortress | houses | landscape | oceans | sea | shore (landform) | town
Associated Places:
Dover | Dover castle | Dover, Strait of | England | English Channel | Kent | United Kingdom
Access:
On view
Link:
https://collections.britishart.yale.edu/catalog/tms:382
Export:
XML

A Great Collection of British Pictures in Virginia, The Times (London), Issue No. 55689, May 1, 1963, p. 5, Available Online : Times Digital Archive Also available on Microfilm: Film An T482 (SML)

Katharine Baetjer, Glorious nature, British landscape painting, 1750-1850 , Zwemmer publisher, London, 1993, pp. 98-9, no. 6, ND1354.4 B34 1993 (YCBA)

W. G. Constable, Richard Wilson, Routledge & Kegan Paul, London, 1953, pp. 21, 70, 177, note 38b, note 38b, pl. 38b, NJ18 W72 C55 (YCBA)

Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 250, 251, N590.2 A83 (YCBA)

Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 76, ND466 G67 (YCBA)

Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, v. 157, no. 634, December 1964, p. 216, N1 C75 + OVERSIZE (YCBA) Another copy available in YCBA Vertical File Collection: v 2334

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 17 (v.1), no. 57, ND466 R68 1964/65 (YCBA) Also available on Microfiche: Fiche B214 (YCBA)

Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon. , Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 45 (v.1), no. 17, ND466 V57 v.1-2 (YCBA)

Martin Postle, Richard Wilson and the transformation of European landscape painting, Yale University Press, New Haven, 2014, pp. 190, 191, figs. 151 and 152, NJ18.W72 R53 2014 OVERSIZE (YCBA)

David H. Solkin, Richard Wilson, the landscape of reaction, Tate Publishing, London, 1982, pp. 150-51, no. 10, no. 10, NJ18 W72 S65 + (YCBA)

Spencer-Longhurst, Paul, with Kate Lowry and David Solkin, Richard Wilson Online : A Digital Catalogue Raisonne, , The Paul Mellon Centre for Studies in British Art, London, 2014, no. P14, http://www.richardwilsononline.ac.uk/index.php?WINID=1582051040261

The British Castle : A Symbol in Stone, Yale Center for British Art, New Haven, 2017, pp. 8, 10-11, cat. 2, V2722

Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965. , vol. 1, W. Clowes and sons, New Haven, 1965, p. 61 (v.1), no. 226, ND466 Y35 (YCBA)


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