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Creator:
John Constable, 1776–1837, British
Title:

Hampstead Heath

Former Title(s):

The Thames Valley from Hampstead Heath (1829)

Hampstead Heath: Branch Hill Pond

Date:
ca. 1825
Medium:
Oil on canvas
Dimensions:
18 × 25 1/2 inches (45.7 × 64.8 cm) and 22 1/2 × 30 inches (57.2 × 76.2 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.135
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
cattle | clouds | dark | hills | landscape | man | meteorology | science | storm | stream | water
Associated Places:
England | Fleet | Greater London | Hampstead | United Kingdom
Access:
Not on view
Link:
https://collections.britishart.yale.edu/catalog/tms:646
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John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01) [YCBA Objects in the Exhibition]

Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20) [YCBA Objects in the Exhibition]

Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 62-63, N590.2 A83 (YCBA) [YCBA]

Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 9, ND466 G67 (YCBA) [YCBA]

Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, v. 157, no. 634, December 1964, pp. 215, 221, Unnum . color pl, N1 C75 + OVERSIZE (YCBA) Another copy available in YCBA Vertical File Collection: v 2334 [YCBA]

Charles John Holmes, Constable and his influence on landscape painting, Archibald Constable and Company, Limited, Westminster, UK, 1902, opp. 128, p. 246, Folio A N80 (YCBA) [YCBA]

Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, p. 161, no. 654, NJ18 C74 A12 +H66 (YCBA) [YCBA]

John Constable, a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon. , National Gallery of Art, Washington, DC, 1969, pp. 38-39, no. 35, NJ18 C74 U5 (YCBA) [YCBA]

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 26 [v. 1], no. 82, ND466 R68 1964/65 (YCBA) Also available on Microfiche: Fiche B214 (YCBA) [YCBA]

Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon. , Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 209, no. 445, ND466 V57 v.1-2 (YCBA) [YCBA]

Graham Reynolds, The later paintings and drawings of John Constable, Yale University Press, New Haven, CT, 1984, pp. 164-65 (v. 1, no. 25.34, pl. 604 (v.2), NJ18 C74 R485 + (YCBA) [YCBA]

Charles Rhyne, Constable Drawings and Watercolors in the Collections of Mr. and Mrs. Paul Mellon and the Yale Center for British Art, Part I. Authentic Works , Master Drawings, vol. 19, Master Drawings Association, Inc., 1981, p. 140, note 2, NC1 M37 19 (YCBA) [YCBA]

Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965. , vol. 1, W. Clowes and sons, New Haven, 1965, p. 13 (v.1), no. 45, ND466 Y35 (YCBA) [YCBA]


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