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Creator:
Francis Danby, 1793–1861
Title:
Landscape near Clifton
Date:
1822 to 1823
Materials & Techniques:
Oil on canvas
Dimensions:
36 x 28 inches (91.4 x 71.1 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.194
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
bonnets (hats) | book | building | cave | forest | hill | landscape | man | plants | reading | rocks (landforms) | town | trees | women | woods
Associated Places:
Clifton | Clifton Gorge | England | Lancashire | United Kingdom
Access:
Not on view
Link:
https://collections.britishart.yale.edu/catalog/tms:704
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British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13) [YCBA Objects in the Exhibition]

Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06) [YCBA Objects in the Exhibition]

Francis Danby ARA (Tate Britain, 1989-02-15 - 1989-04-09) [YCBA Objects in the Exhibition]

Francis Danby ARA (Bristol Museum and Art Gallery, 1988-11-05 - 1989-01-21) [YCBA Objects in the Exhibition]

Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27) [YCBA Objects in the Exhibition]

Gaspard Dughet (Kenwood House, 1980-07-10 - 1980-09-28) [YCBA Objects in the Exhibition]

Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20) [YCBA Objects in the Exhibition]

British Art at Yale, Apollo, v.105, April 1977, p. 291, fig. 11, N1 .A54 + OVERSIZE (YCBA) [YCBA]

Malcolm Cormack, A Selective Promenade, Apollo, v.105, April 1977, p. 291, fig. 11, N1 A54 + (YCBA) [YCBA]

Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 76-77, N590.2 A83 (YCBA) [YCBA]

Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 132, 176, no. IV.34, pl. 108, ND1354.4 H38 (YCBA) [YCBA]

Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, vol. 157, December 1964, p. 221, N1 C75 + OVERSIZE (YCBA) [YCBA]

Robert Hoozee, British vision : observation and imagination in British art, 1750-1950, , Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, pp. 205, 212, no. 134, fig. 134, N6767 B78 2007 + OVERSIZE (YCBA) [YCBA]

Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 101 (v.1), no. 160, pl. 64, ND466 V57 v.1-2 (YCBA) [YCBA]

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, pp. 52-3 (v.1), no. 191, pl. 18, ND466 R68 1964/65 (YCBA) [YCBA]

Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon : [exhibition at] Yale University Art Gallery, April 15-June 20, 1965, , vol. 1, W. Clowes and sons, New Haven, 1965, p. 18 (v.1), no. 62, pl. 18, ND466 Y35 (YCBA) [YCBA]


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