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Creator Highmore, Joseph, 1692–1780

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1. The Harlowe Family, from Samuel Richardson's "Clarissa"

The Harlowe Family, from Samuel Richardson's "Clarissa"
Creator:
Joseph Highmore, 1692–1780
Date:
between 1745 and 1747
Materials & Techniques:
Oil on canvas
Dimensions:
25 1/2 x 30 7/8 inches (64.8 x 78.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Figures in a Tavern or Coffee House

Figures in a Tavern or Coffee House
Creator:
Attributed to Joseph Highmore, 1692–1780
Date:
ca. 1725 or after 1750
Materials & Techniques:
Oil on panel
Dimensions:
7 3/4 x 18 1/4 inches (19.7 x 46.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. A Family Conversation Piece

A Family Conversation Piece
Creator:
Joseph Highmore, 1692–1780
Date:
1730 to 1735
Materials & Techniques:
Oil on canvas
Dimensions:
17 3/4 x 31 1/2 inches (45.1 x 80 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. An Unknown Man in Black

An Unknown Man in Black
Creator:
Joseph Highmore, 1692–1780
Date:
1735
Materials & Techniques:
Oil on canvas
Dimensions:
36 5/16 x 27 15/16 inches (92.2 x 71 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Charles Penruddocke

Charles Penruddocke
Creator:
Joseph Highmore, 1692–1780
Date:
1743
Materials & Techniques:
Oil on canvas
Dimensions:
50 × 39 7/8 inches (127 × 101.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. A Woman and her Child, Probably Olive Sharpe (née Cartwright) and her son John

A Woman and her Child, Probably Olive Sharpe (née Cartwright) and her son John
Creator:
Joseph Highmore, 1692–1780
Date:
1731
Materials & Techniques:
Oil on canvas
Dimensions:
50 x 40 inches (127 x 101.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. An Unknown Man

An Unknown Man
Creator:
Joseph Highmore, 1692–1780
Date:
between 1730 and 1735
Materials & Techniques:
Oil on canvas
Dimensions:
36 × 28 inches (91.4 × 71.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. The Head of a Young Boy

The Head of a Young Boy
Creator:
Joseph Highmore, 1692–1780
Date:
ca. 1735
Materials & Techniques:
Oil on canvas
Dimensions:
11 3/8 x 10 3/8 inches (28.9 x 26.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. Sketch of a Young Girl

Sketch of a Young Girl
Creator:
Joseph Highmore, 1692–1780
Date:
ca. 1735
Materials & Techniques:
Oil on canvas
Dimensions:
11 3/8 x 10 1/2 inches (28.9 x 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. A Club of Gentlemen

A Club of Gentlemen
Creator:
Joseph Highmore, 1692–1780
Date:
ca. 1730
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/2 x 23 inches (47 x 58.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

11. Study for a Group Portrait

Study for a Group Portrait
Creator:
Joseph Highmore, 1692–1780
Date:
between 1729 and 1730
Materials & Techniques:
Oil on canvas
Dimensions:
14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

12. The Angel of Mercy

The Angel of Mercy
Creator:
Joseph Highmore, 1692–1780
Date:
ca. 1746
Materials & Techniques:
Oil on canvas
Dimensions:
23 1/2 x 19 inches (59.7 x 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

13. Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Woman wearing a Feathered Headdress

Woman wearing a Feathered Headdress
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, black chalk, and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 3/4 × 8 inches (24.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

22. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

23. Sir James Thornhill

Sir James Thornhill
Creator:
John Faber the Younger, ca. 1695–1756
Date:
1732
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 15/16 × 9 15/16 inches (32.8 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

25. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

26. Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.

Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

27. Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.

Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.
Creator:
L. Truchy, 1721–1764
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

28. Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...

Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

29. Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.

Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

30. Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...

Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

31. Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 20 1/16 inches (38.3 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

32. Sir James Thornhill

Sir James Thornhill
Creator:
John Faber the Younger, ca. 1695–1756
Date:
1732
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper, pasted on contemporary mount of moderately thick, slightly textured, brown wove paper
Dimensions:
Mount: 13 7/8 x 9 15/16 inches (35.3 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Perspective view of the East Front of Hampton Court, taken from the Park Gate

A Perspective view of the East Front of Hampton Court, taken from the Park Gate
Creator:
Print made by John Tinney, died 1761
Date:
1744
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Diagonal Walk, fountain and canal in the Garden of Hampton Court

The Diagonal Walk, fountain and canal in the Garden of Hampton Court
Creator:
Print made by John Tinney, died 1761
Date:
1744
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. An Oblique View of the East Front of Hampton Court, with part of garden

An Oblique View of the East Front of Hampton Court, with part of garden
Creator:
Print made by John Tinney, died 1761
Date:
1744
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 7/8 x 18 5/8in. (30.2 x 47.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The South Front of Hampton Court with part of the garden

The South Front of Hampton Court with part of the garden
Creator:
Print made by John Tinney, died 1761
Date:
1744
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Pavilion Belonging to the Bowling Green at the end of the Terras Walk, at Hampton Court

The Pavilion Belonging to the Bowling Green at the end of the Terras Walk, at Hampton Court
Creator:
Print made by John Tinney, died 1761
Date:
1744
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Caroline (Queen of George II)

Caroline (Queen of George II)
Creator:
John Faber the Younger, ca. 1695–1756
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 12 7/8 x 9 3/4in. (32.7 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Samuel Richardson

Samuel Richardson
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1804
Materials & Techniques:
Stipple and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

45. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

46. Sir James Thornhill

Sir James Thornhill
Creator:
Print made by Charles Bretherton, ca. 1760–1783
Date:
1782
Materials & Techniques:
Etching on medium, moderately textured, cream wove paper, laid in contemporary mount made of medium, slightly textured, beige wove paper
Dimensions:
Mount: 7 1/16 x 5 3/16 inches (17.9 x 13.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Teresia Constantia Phillips

No cover image available
Creator:
John Faber the Younger, ca. 1695–1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. A critical examination of those two paintings on the cieling [sic] of the banqueting-house at Whitehall : in which architecture is introduced, so far as relates to the perspective : together with the discussion of a question, which has been the subject of debate among painters ...

No cover image available
Creator:
Highmore, Joseph, 1692–1780
Date:
1754
Physical Description:
[4], viii, 15 p., [1] folded leaf of plates : ill. ; 25 cm.
Collection:
Rare Books and Manuscripts

49. The practice of perspective, on the principles of Dr. Brook Taylor: in a series of examples, from the most simple and easy, to the most complicated, and difficult cases ... Written many years since, but now first pub., by Joseph Highmore.

No cover image available
Creator:
Highmore, Joseph, 1692–1780
Date:
1763
Physical Description:
xvi, 129, [1] p. diagrs. on 50 fold. pl. 27 cm.
Collection:
Rare Books and Manuscripts

50. Paintings by Joseph Highmore, 1692-1780 : The Iveagh Bequest, Kenwood.

No cover image available
Creator:
Highmore, Joseph, 1692–1780
Date:
1963
Physical Description:
32 p. : ill. ; 22 cm.
Collection:
Reference Library