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Materials & Techniques card

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Materials & Techniques watercolor

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Creator Unknown artist

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Image Use Free to Use

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View of Swanage Bay, Dorset
Creator:
unknown artist
Date:
1816
Materials & Techniques:
Watercolor over graphite on medium, smooth wove paper laid to card
Dimensions:
Sheet: 4 1/2 x 5 3/4in. (11.4 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Court Dress of the Duchess of Orleans and a Spanish Lady 1690, n.d.
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, smooth, cream card
Dimensions:
Sheet: 7 1/8 × 5 3/8 inches (18.1 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Child
Creator:
unknown artist
Date:
1831
Materials & Techniques:
Watercolor and graphite on thick, smooth, cream card
Dimensions:
Sheet: 7 3/4 × 6 inches (19.7 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
No cover image available
Creator:
Print made by unknown artist
Date:
between 1852 and 1856
Materials & Techniques:
Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:
Sheet: 14 1/2 × 23 1/2 inches (36.8 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by unknown artist
Date:
between 1852 and 1856
Materials & Techniques:
Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:
Sheet: 14 × 24 inches (35.6 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and varnish on moderately thick, moderately textured, beige card
Dimensions:
Image:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund