The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
4
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
5
Charles Williams, active 1796–1830
The Union Club
undated
6
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
7
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
8
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
9
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
10
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
11
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
12
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
13
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
14
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
15
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
16
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
17
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
18
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
19
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
20
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
21
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
22
James Gillray, 1756–1815
A Man of Importance
1799
23
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
24
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
25
James Gillray, 1756–1815
Independence
1799
26
James Gillray, 1756–1815
A Portrait ------------
1799
27
James Gillray, 1756–1815
A Hackney Meeting
1796
28
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
29
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
30
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
31
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
32
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
33
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
34
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
35
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
36
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
37
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
38
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
39
James Gillray, 1756–1815
Patience on a Monument
1791
40
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
41
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
42
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
43
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
44
James Gillray, 1756–1815
The Bubbles of Opposition
1788
45
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
46
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
47
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
48
James Gillray, 1756–1815
John Bull Triumphant
1780
49
James Gillray, 1756–1815
The Triumphant Britons
1780
50
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
51
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
52
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
53
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
54
James Gillray, 1756–1815
Jack A Both Sides!
1783
55
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
56
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
57
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
58
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
59
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
60
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
61
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
62
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
63
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
64
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
65
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
66
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
67
James Gillray, 1756–1815
The Soliloquy
1782
68
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
69
James Gillray, 1756–1815
The Legacy
1786
70
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
71
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
72
Print made by James Gillray, 1756–1815
The Sick Prince
1787
73
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
74
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
75
James Gillray, 1756–1815
The Tottering Pyramid
1784
76
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
77
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
78
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
79
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
80
James Gillray, 1756–1815
The Battle of Bow-Street
1788
81
James Gillray, 1756–1815
The English Regency
1789
82
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
83
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
84
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
85
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
86
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
87
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
88
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
89
James Gillray, 1756–1815
Destruction of the French Collossus
1798
90
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
91
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
92
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
93
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
94
James Gillray, 1756–1815
A Uniform Whig ---
1791
95
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
96
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e