The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
302
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
303
James Gillray, 1756–1815
Wha Wants Me?
1792
304
James Gillray, 1756–1815
The Finishing Touch
1791
305
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
306
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
307
James Gillray, 1756–1815
The Sleep-Walker
1795
308
James Gillray, 1756–1815
The Bridal-Night
1797
309
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
310
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
311
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
312
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
313
Charles Turner, 1774–1857
James Gillray
1819
314
James Gillray, 1756–1815
The Republican - Attack
1795
315
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
316
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
317
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
318
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
319
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
320
James Gillray, 1756–1815
The Bubbles of Opposition
1788
321
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
322
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
323
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
324
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
325
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
326
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
327
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
328
James Gillray, 1756–1815
Destruction of the French Collossus
1798
329
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
330
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
331
James Gillray, 1756–1815
The Royal Academy
1786
332
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
333
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
334
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
335
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
336
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
337
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
338
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
339
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
340
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
341
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
342
James Gillray, 1756–1815
A Man of Importance
1799
343
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
344
James Gillray, 1756–1815
Independence
1799
345
James Gillray, 1756–1815
A Portrait ------------
1799
346
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
347
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
348
James Gillray, 1756–1815
A Hackney Meeting
1796
349
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
350
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
351
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
352
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
353
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
354
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
355
James Gillray, 1756–1815
Patience on a Monument
1791
356
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
357
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
358
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
359
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
360
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
361
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
362
James Gillray, 1756–1815
A Uniform Whig ---
1791
363
James Gillray, 1756–1815
The Soliloquy
1782
364
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
365
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
366
James Gillray, 1756–1815
Evacuation Before Resignation
1782
367
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
368
unknown artist
Four Figures on a Sheet
undated
369
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
370
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
371
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
372
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
373
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
374
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
375
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
376
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
377
James Gillray, 1756–1815
Pen-etration
1799
378
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
379
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
380
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
381
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
382
James Gillray, 1756–1815
Despair
1802
383
James Gillray, 1756–1815
Forming a Line on the Parade
1801
384
James Gillray, 1756–1815
Bologna Sausages, or Opposition Flux'd
1788
385
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
386
James Gillray, 1756–1815
King Henry The Fourth's Last Scene
1788
387
James Gillray, 1756–1815
Prince Pitt
1788
388
James Gillray, 1756–1815
The Rival Queens, or a Political Heat for Lege (Rege) and Grege
1789
389
James Gillray, 1756–1815
An Angel Gliding on a Sunbeam Into Paradise. Down Thither, Prone in Flight, Lo! Schwelly Speeds, and With Her Brings, The Gems, and Spoils of Heaven. Milton
1791
390
James Gillray, 1756–1815
A Birmingham Toast, as Given on the 14th of July By The Revolution Society
1791
391
James Gillray, 1756–1815
The Magnanimous Minister Chastising Prussian Perfidy - Vide the "Morning Chronicle." April 28th
1806
392
James Gillray, 1756–1815
A Military Sketch of a Gift Stick, or Poker Emblazoned. (A Portrait of General Cathcart)
1800
393
James Gillray, 1756–1815
Liliputian Substitutes, Equiping for Public Services
1801
394
James Gillray, 1756–1815
A Welsh Tandem
1801
395
James Gillray, 1756–1815
One of the Advantages of a Low Carriage
1801
396
James Gillray, 1756–1815
Georgey in the Coal - Hole. (Colonel Hanger)
1800
397
James Gillray, 1756–1815
Symptoms of Deep Thinking: Sinking from Thought to Thought, a Vast Profound (Sir Charles Bunbury)