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Genre abstract art

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1. Owl

Owl
Creator:
Print made by Graham Vivian Sutherland, 1903–1980
Date:
1968
Materials & Techniques:
Lithograph with gouache, watercolor, ink, wash, charcoal, chalk pastel and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 25 3/4 x 19 9/16 inches (65.4 x 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sheep at Tulliallan
Creator:
Print made by Craigie Aitchison, 1926–2009
Date:
1998
Materials & Techniques:
Screen print on thick, rough, yellow wove paper
Dimensions:
Sheet: 18 1/16 x 15 1/16 inches (45.8 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Lewis Walpole Library Collection

3. XIV

XIV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. XV

XV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching with hardground, openbite, burnishing and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. XVI

XVI
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Openbite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. XVIII

XVIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Hardground etching, aquatint, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. XX

XX
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint, openbite, sugarlift, and hardground etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. XLI

XLI
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint, burnishing, openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Flying Horses and Figures
Creator:
Giulio Aristide Sartorio, 1860–1932
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 3/8 × 6 5/8 inches (21.3 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Lithograph from a Collection of 14, 1952-1954
Creator:
Print made by Reg Butler, 1913–1981
Date:
1954
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 11 15/16 inches (40 x 30.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Female Nude and Horse
Creator:
Wyndham Lewis, 1882–1957
Date:
ca. 1925
Materials & Techniques:
Gouache, watercolor, pen and black ink and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 7/8 x 6 15/16 inches (22.6 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

12. XLII

XLII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Openbite etching, creeping aquatint bite, and polishing back on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund