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Period 18th century
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801
- Bust of the Reverend John Wesley: in clerical collar and black robes
- ca. 1791
- Not on view
802
- Bust of the Reverend George Whitfield: with ruddy cheeks, prominent mole, black robes and clerical collar
- ca. 1770
- Not on view
803
- A Setter: Standing
- ca. 1775
- Not on view
804
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
805
- The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
- ca. 1715
- Not on view
806
- Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
- 18th century
- Not on view
807
- Pope Clement XIV (Giovanni Vincenzo Antonio Ganganelli, 1705–1774; reigned 1769–1774)
- ca. 1772
- Not on view
808
- William Hayley
- 1795
- Not on view
809
- David Garrick
- 1780
- Not on view
810
- Sir Charles Linnaeus
- undated
- Not on view
811
- View of a Gloucestershire Country House: A Garden View, with Picnic Party in Center Foreground
- ca. 1755
- Not on view
812
- Bust of a Man
- ca. 1758
- Not on view
813
- Father Time
- ca. 1790
- Not on view
814
- Mr. Punch
- ca. 1760
- Not on view
815
- Allegory of Geometry
- 1796
- Not on view
816
- Samson Slaying a Philistine
- between 1740 and 1770
- Not on view
817
- Portrait of a Man, called Francois Duquesnoy
- ca. 1750
- Not on view
818
- Dr. Anthony Addington
- 1790
- Not on view
819
- Ecorché Figure
- ca. 1767
- Not on view
820
- A Gardener
- ca. 1750
- Not on view
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
821
- A Lion [A recumbent Lion]
- 1788
822
- A Tyger (Sleeping Leopard)
- 1788
![George Stubbs A Lion [A Lion resting on a Rock]](https://media.collections.yale.edu/thumbnail/ycba/4c5b1084-9014-43da-bf2a-6ca3a5f42e03)
823
- A Lion [A Lion resting on a Rock]
- 1788
824
- Hay-Makers
- 1791
825
- The Farmer's Wife and the Raven
- 1788
![George Stubbs Dog [A Foxhound on the Scent]](https://media.collections.yale.edu/thumbnail/ycba/67aa2d86-08f0-41e7-9421-a4c7134ec952)
826
- Dog [A Foxhound on the Scent]
- 1788
827
- A Horse Affrighted by a Lion
- 1788
828
- A Sleeping Leopard
- 1791
829
- A Tiger and a Sleeping Leopard
- 1788
830
- Tygers at Play
- 1780
831
- A Prancing Horse, Facing Right
- ca. 1790
832
- Study for the Self-portrait in Enamel
- ca. 1781
833
- A Foxhound on the Scent
- 1788
834
- Grotesque Male Head
- undated
835
- Royal Sport, Pit Ticket
- 1759
836
- Hudibras Vanquished by Trulla
837
- Grotesque Male Head
- undated
838
- Grotesque Female Head
- undated
839
- Grotesque Female Head
- undated
840
- The First Stage of Cruelty
- ca. 1750
841
- Grotesque Male Head
- undated
842
- Grotesque Female Head
- undated
843
- Grotesque Male Head
- undated
844
- Grotesque Male Head
- undated
845
- Grotesque Female Head
- undated
846
- Grotesque Male Head
- undated
847
- Grotesque Male Head
- undated
848
- Grotesque Male Head
- undated
849
- Grotesque Male Head
- undated
850
- Grotesque Female Head
- undated
851
- Grotesque Male Head
- undated
852
- Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
- 1746
853
- The Four Times of Day, Plate I: Morning
- 1738
854
- Hudibras's First Adventure (no.3)
855
- Hudibras Sallying Forth (no.2)
856
- Hudibras Triumphant (no.4)
857
- Hudibras in Tribulation (no.6)
858
- Frontispiece and its Explanation (no.1)
- 1726
859
- The Four Times of Day, Plate II: Noon
- 1738
860
- The Four Times of Day, Plate IV: Night
- 1738
861
- Hudibras Catechiz'd (no.9)
862
- Hudibras and the Lawyer (no.7)
863
- Hudibras Vanquish'd by Trulla (no.5)
864
- Burning ye Rumps at Temple-Barr (no.11)
865
- Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
866
- Hudibras Encounters the Skimmington (no.12)
867
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
868
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
869
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
870
- William Hogarth
- 1764
871
- Paul before Felix
872
- Beer Street
- 1751
873
- Southwark Fair
- 1733
874
- The Distressed Poet
- 1740
875
- Mr. Garrick in the Character of Richard III
- 1746
876
- A Rake's Progress, Plate I: He Takes Possession
- 1735
877
- A Rake's Progress, Plate III: He Revels
- 1735
878
- A Rake's Progress, Plate VI: He Gambles
- 1735
879
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
880
- The Stage Coach; Or Country Inn Yard
- 1747
881
- A Consultation of Physicians
- 1736
882
- Colombus breaking the Egg
- 1753
883
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
884
- The Sleeping Congregation
- 1736
885
- Strolling Actresses Dressing in a Barn
- 1738
886
- The Enraged Musician
- 1741
887
- Scholars at a Lecture (A Chorus of Singers)
- 1736
888
- The Distrest(ed) Poet
- 1740
889
- Gulielmus Hogarth
- 1749
890
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
891
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
892
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
893
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
894
- Simon Lord Lovat
- 1746
895
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
896
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
897
- The Invasion, Plate II: England
- 1756
898
- The Invasion, Plate I: France
- 1756
899
- Analysis of Beauty, Plate II: A Country Dance
- 1753
900
- The Polling, Plate III
- 1758