The National Assembly Petrified _________/The National Assembly Revivified
1792
154
James Gillray, 1756–1815
The Bridal-Night
1797
155
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
156
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
157
James Gillray, 1756–1815
The Sleep-Walker
1795
158
James Gillray, 1756–1815
Malagrida, Driving Post
159
James Gillray, 1756–1815
Ancient Music
1787
160
James Gillray, 1756–1815
The Bottomless-Pitt
1792
161
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
162
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
163
James Gillray, 1756–1815
Wha Wants Me?
1792
164
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
165
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
166
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
167
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
168
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
169
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
170
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
171
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
172
James Gillray, 1756–1815
Hounds in Finding
1800
173
James Gillray, 1756–1815
Hounds Throwing-Off
1800
174
James Gillray, 1756–1815
Coming-In at the Death
1800
175
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
176
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
177
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
178
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
179
James Gillray, 1756–1815
The Legacy
1786
180
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
181
James Gillray, 1756–1815
Destruction of the French Collossus
1798
182
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
183
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
184
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
185
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
186
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
187
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
188
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
189
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
190
James Gillray, 1756–1815
Independence
1799
191
James Gillray, 1756–1815
A Hackney Meeting
1796
192
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
193
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
194
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
195
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
196
James Gillray, 1756–1815
Patience on a Monument
1791
197
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
198
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
199
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)