A New Administration, or the State Quacks Administering
1783
108
James Gillray, 1756–1815
The Pigs Possessed
1807
109
James Gillray, 1756–1815
Light Expelling Darkness
1795
110
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
111
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
112
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
113
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
114
James Gillray, 1756–1815
Tales of wonder
1802
115
James Gillray, 1756–1815
The Generae of Patriotism
1796
116
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
117
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
118
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
119
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
120
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
121
James Gillray, 1756–1815
Playing in Parts
1801
122
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
123
James Gillray, 1756–1815
The Friend of the People
1806
124
James Gillray, 1756–1815
L'Enfant Trouve: a sample of Roman Charity
1808
125
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
126
James Gillray, 1756–1815
Le Diable Boiteaux
1806
127
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
128
James Gillray, 1756–1815
Progress of the Toilet - The Stays Plate I
1810
129
James Gillray, 1756–1815
The Cabinetical Balance
1806
130
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
131
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
132
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
133
James Gillray, 1756–1815
Visiting the Sick
1806
134
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
135
James Gillray, 1756–1815
Fine Bracing Weather
1808
136
James Gillray, 1756–1815
[ untitled ]
1800
137
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
138
Charles Turner, 1774–1857
James Gillray
1819
139
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
140
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
141
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
142
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
143
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
144
Print made by Joseph Brown, 19th century
James Gillray
1848
145
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
146
James Gillray, 1756–1815
Hounds Throwing-Off
1800
147
James Gillray, 1756–1815
Hounds in Finding
1800
148
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
149
James Gillray, 1756–1815
Coming-In at the Death
1800
150
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
151
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
152
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
153
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
154
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
155
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
156
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
157
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
158
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
159
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
160
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
161
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
162
James Gillray, 1756–1815
John Bull Triumphant
1780
163
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
164
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
165
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
166
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
167
James Gillray, 1756–1815
The Republican - Attack
1795
168
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
169
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
170
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
171
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
172
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
173
James Gillray, 1756–1815
A Man of Importance
1799
174
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
175
James Gillray, 1756–1815
A Portrait ------------
1799
176
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
177
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
178
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
179
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
180
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
181
James Gillray, 1756–1815
A Uniform Whig ---
1791
182
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
183
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
184
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
185
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
186
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
187
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
188
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
189
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
190
James Gillray, 1756–1815
The Royal Academy
1786
191
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
192
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
193
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
194
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
195
James Gillray, 1756–1815
The Bubbles of Opposition
1788
196
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
197
James Gillray, 1756–1815
The Friendly Agent
1787
198
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
199
James Gillray, 1756–1815
Destruction of the French Collossus
1798
200
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)