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Period 18th century
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801
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
802
- Bust of a Man
- ca. 1758
- Not on view
803
- View of a Gloucestershire Country House: A Garden View, with Picnic Party in Center Foreground
- ca. 1755
- Not on view
804
- William Hayley
- 1795
- Not on view
805
- David Garrick
- 1780
- Not on view
806
- Sir Charles Linnaeus
- undated
- Not on view
807
- King George III
- ca. 1776
- Not on view
808
- Queen Charlotte
- ca. 1776
- Not on view
809
- The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
- ca. 1715
- Not on view
810
- Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
- 18th century
- Not on view
811
- Bust of the Reverend John Wesley: in clerical collar and black robes
- ca. 1791
- Not on view
812
- Bust of the Reverend George Whitfield: with ruddy cheeks, prominent mole, black robes and clerical collar
- ca. 1770
- Not on view
813
- A Setter: Standing
- ca. 1775
- Not on view
814
- A Seated Woman
- ca. 1780
- Not on view
815
- Bust of Niobe's Daughter, after the Antique
- 1780
- Not on view
816
- Dr. Anthony Addington
- 1790
- Not on view
817
- Samson Slaying a Philistine
- between 1740 and 1770
- Not on view
818
- Sir Isaac Newton
- ca. 1710
- Not on view
819
- Portrait of a Man, called Francois Duquesnoy
- ca. 1750
- Not on view
820
- Allegory of Geometry
- 1796
- Not on view
821
- Father Time
- ca. 1790
- Not on view
822
- Mr. Punch
- ca. 1760
- Not on view
823
- Ecorché Figure
- ca. 1767
- Not on view
824
- A Prancing Horse, Facing Right
- ca. 1790
825
- Study for the Self-portrait in Enamel
- ca. 1781
826
- A Foxhound on the Scent
- 1788
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
827
- A Lion [A recumbent Lion]
- 1788
![George Stubbs Dog [A Foxhound on the Scent]](https://media.collections.yale.edu/thumbnail/ycba/67aa2d86-08f0-41e7-9421-a4c7134ec952)
828
- Dog [A Foxhound on the Scent]
- 1788
829
- A Horse Affrighted by a Lion
- 1788
830
- A Tiger and a Sleeping Leopard
- 1788
831
- A Tyger (Sleeping Leopard)
- 1788
832
- Hay-Makers
- 1791
833
- The Farmer's Wife and the Raven
- 1788
834
- A Sleeping Leopard
- 1791
![George Stubbs A Lion [A Lion resting on a Rock]](https://media.collections.yale.edu/thumbnail/ycba/4c5b1084-9014-43da-bf2a-6ca3a5f42e03)
835
- A Lion [A Lion resting on a Rock]
- 1788
836
- Tygers at Play
- 1780
837
- Grotesque Male Head
- undated
838
- Grotesque Female Head
- undated
839
- Royal Sport, Pit Ticket
- 1759
840
- Hudibras Vanquished by Trulla
841
- Prospectus print "Crown & Mitre"
- 1754
842
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
843
- Fair Scene
- 1733
844
- Paul before Felix
845
- The Distressed Poet
- 1740
846
- Mr. Garrick in the Character of Richard III
- 1746
847
- Subscription Ticket for The March to Finchley
- 1746
848
- Grotesque Female Head
- undated
849
- Grotesque Male Head
- undated
850
- Grotesque Female Head
- undated
851
- Grotesque Male Head
- undated
852
- Grotesque Female Head
- undated
853
- Grotesque Male Head
- undated
854
- The First Stage of Cruelty
- ca. 1750
855
- Grotesque Female Head
- undated
856
- Grotesque Male Head
- undated
857
- Grotesque Male Head
- undated
858
- Grotesque Male Head
- undated
859
- Grotesque Male Head
- undated
860
- Grotesque Male Head
- undated
861
- Grotesque Male Head
- undated
862
- Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
- 1746
863
- Southwark Fair
- 1733
864
- A Midnight Modern Conversation
- 1733
865
- The Polling, Plate III
- 1758
866
- The Laughing Audience
- 1733
867
- The Bench
- 1758
868
- William Hogarth
- 1764
869
- Analysis of Beauty, Plate II: A Country Dance
- 1753
870
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
871
- Gulielmus Hogarth
- 1749
872
- An Election Entertainment, Plate I
- 1755-58
873
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
874
- The Invasion, Plate II: England
- 1756
875
- Chairing the Members, Plate IV
- 1758
876
- Hogarth Painting the Comic Muse
- 1764
877
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
878
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
879
- Beer Street
- 1751
880
- Southwark Fair
- 1733
881
- Characters and Caricatures: subscription ticket for 'Marriage à la Mode'
- 1743
882
- Lewis Theobald: Detail of the Poet
883
- Simon, Lord Lovat
884
- Subscription Ticket for: 'Four Prints of an Election'
- 1754
885
- The Company of Undertakers
- 1736
886
- A Silver Mine at Sala, I: illustration for La Motraye's 'Travels'
- 1723
887
- John Wilkes, Esq
- 1763
888
- Pit Ticket
- 1759
889
- Self-portrait
- 1749
890
- A Rake's Progress, Plate II: His Levee
- 1735
891
- A Rake's Progress, Plate IV: Goes to Court
- 1735
892
- A Rake's Progress, Plate I: He Takes Possession
- 1735
893
- A Rake's Progress, Plate III: He Revels
- 1735
894
- A Rake's Progress, Plate VI: He Gambles
- 1735
895
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
896
- A Rake's Progress, Plate V: He Marries
- 1735
897
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
898
- The Stage Coach; Or Country Inn Yard
- 1747
899
- The Sleeping Congregation
- 1736
900
- Scholars at a Lecture (A Chorus of Singers)
- 1736