On-site Access: Accessible by appointment in the Study Room / Work Type: broadside / Associated People: Wellington, Arthur Wellesley, Duke of, 1769–1852 - YCBA Collections Search Search Results

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On-site Access Accessible by appointment in the Study Room

Work Type broadside

Associated People Wellington, Arthur Wellesley, Duke of, 1769–1852

1. Explanation of the view of the splendid victory gained by the Marquis of Wellington over the French army, consisting of 65,000 men, commanded by Joseph Bonaparte, on the plains of Vittoria : the view, painted by Henry Aston Barker and assistants, from drawings taken on the spot by Mr. Burford, is now exhibiting in the great rotunda of the Panorama, Leicester Square.

Explanation of the view of the splendid victory gained by the Marquis of Wellington over the French army, consisting of 65,000 men, commanded by Joseph Bonaparte, on the plains of Vittoria : the view, painted by Henry Aston Barker and assistants, from drawings taken on the spot by Mr. Burford, is now exhibiting in the great rotunda of the Panorama, Leicester Square.

Creator:: Barker, Henry Aston, 1774–1856
Date:: 1814
Physical Description:: 1 print : woodcut and letterpress ; sheet 40 x 30 cm
Collection:: Rare Books and Manuscripts

2. Funeral of F.M. the Duke of Wellington : regulations for carriages taking up.

No cover image available

Creator:: City of London Police
Date:: 1852
Physical Description:: 1 sheet ([1] page) ; 16 x 25 cm
Collection:: Rare Books and Manuscripts
Credit Line:: Yale Center for British Art, Gift of Hilda Lease Jay.

3. Duke of Wellington's funeral.

No cover image available

Date:: [1852]
Physical Description:: 1 sheet ([1] page) ; 55 x 40 cm.
Collection:: Rare Books and Manuscripts

4. Funeral of the Duke of Wellington : presented to the subscribers of the Sherborne journal.

No cover image available

Creator:: Lancelot, Dieudonné Auguste, 1822–1894
Date:: [1852]
Physical Description:: 1 sheet : wood engravings ; 58 x 93 cm
Collection:: Rare Books and Manuscripts
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell