The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
102
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
103
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
104
Print made by James Gillray, 1756–1815
The Sick Prince
1787
105
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
106
James Gillray, 1756–1815
The Republican - Attack
1795
107
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
108
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
109
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
110
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
111
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
112
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
113
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
114
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
115
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
116
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
117
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
118
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
119
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
120
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
121
James Gillray, 1756–1815
Independence
1799
122
James Gillray, 1756–1815
A Portrait ------------
1799
123
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
124
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
125
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
126
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
127
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
128
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
129
James Gillray, 1756–1815
Patience on a Monument
1791
130
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
131
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
132
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
133
James Gillray, 1756–1815
A Uniform Whig ---
1791
134
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
135
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
136
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
137
James Gillray, 1756–1815
The Royal Academy
1786
138
James Gillray, 1756–1815
The Legacy
1786
139
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
140
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
141
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
142
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
143
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
144
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
145
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
146
James Gillray, 1756–1815
The Tottering Pyramid
1784
147
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
148
James Gillray, 1756–1815
The Battle of Bow-Street
1788
149
James Gillray, 1756–1815
The English Regency
1789
150
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
151
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
152
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
153
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
154
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
155
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
156
Thomas Rowlandson, 1756–1827
Filial Piety
1788
157
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
158
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
159
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
160
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
161
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
162
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
163
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
164
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
165
James Gillray, 1756–1815
United Irishmen in Training
1798
166
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
167
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
168
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
169
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
170
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
171
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
172
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
173
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
174
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
175
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
176
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
177
James Gillray, 1756–1815
The Death of the Great Wolf
1795
178
James Gillray, 1756–1815
Presages of the Millenium
1795
179
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
180
James Gillray, 1756–1815
John Bull Ground Down
1795
181
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
182
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
183
James Gillray, 1756–1815
Copenhagen House
1795
184
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
185
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
186
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
187
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
188
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
189
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
190
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
191
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
192
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing