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Materials & Techniques painting (technique)
Remove constraint Materials & Techniques: painting (technique)Period 18th century
Remove constraint Period: 18th centuryImage Use Free to Use
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101
- Captain John MacBride
- 1788
- Not on view
102
- St. Paul before Agrippa
- ca. 1710
- Not on view
103
- A Bridge Over the River Wye
- 1776
- Not on view
104
- The Reverend Jemmet Browne at a meet of foxhounds
- 1730 to 1732
- Not on view
105
- An English Sloop Becalmed near the Shore
- mid-18th century
- Not on view
106
- Landscape with a Shepherd
- ca. 1800
- Not on view
107
- Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland
- 1771
- Not on view
108
- Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland
- 1771
- Not on view
109
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
110
- St. Augustine's Gate, Canterbury
- ca. 1778
- Not on view
111
- Mary and Joseph Outside the Inn
- 1763 to 1768
- Not on view
112
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
113
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
114
- Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings
- 1773
- Not on view
115
- Saint Vincents, near West Malling, Kent
- ca. 1779
- Not on view
116
- Arches of Westminster Bridge
- ca. 1750
- Not on view
117
- A View of the Tower of London, Supposed on his Majesty's Birthday
- 1771
- Not on view
118
- Charing Cross, with the Statue of King Charles I and Northumberland House
- ca. 1750
- Not on view
119
- Ludlow Castle with Dinham Weir, from the South-West
- 1765 to 1769
- Not on view
120
- Orleans House, Twickenham
- ca. 1750
- Not on view
121
- Thames at Lambeth Palace
- after 1745
- Not on view
122
- A View of the Cathedral and City of Lincoln from the River
- ca. 1760
- Not on view
123
- Old Walton Bridge
- 1785
- Not on view
124
- Merton College, Oxford
- 1771
- Not on view
125
- The Bathing Place at Ramsgate
- ca. 1788
- Not on view
126
- A Grey Arab Stallion in a Desert Landscape
- ca. 1790
- Not on view
127
- Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
- ca. 1720
- Not on view
128
- The Billiard Room
- ca. 1725
- Not on view
129
- Marcia Pitt and Her Brother George Pitt, Later second Baron Rivers, Riding in the Park at Stratfield Saye House, Hampshire
- 1782
- Not on view
130
- The Countess of Effingham with Gun and Shooting Dogs
- 1787
- Not on view
131
- A Bay Horse Approached by a Stable-Lad with Food and a Halter
- 1789
- Not on view
132
- Portrait of a Racehorse, Possibly Disguise, the Property of the Duke of Hamilton, with Jockey Up
- 1786
- Not on view
133
- Elizabeth (née Gunning), Baroness Hamilton of Hameldon and Duchess of Argyll
- ca. 1760
- Not on view
134
- Sir William Pulteney (formerly Johnstone), fifth baronet
- ca. 1772
- Not on view
135
- Hackwood Park, Hampshire
- undated, exhibited 1764
- Not on view
136
- Landscape with Cattle
- ca. 1773
- Not on view
137
- George Rogers and His Wife, Margaret Rogers (née Tyers), and His Sister, Margaret Rogers
- between 1748 and 1750
- Not on view
138
- Westminster Bridge, with the Lord Mayor's Procession on the Thames
- 1747
- Not on view
139
- The Gravenor Family
- ca. 1754
- Not on view
140
- Frances Abington (née Barton) as Miss Prue in William Congreve’s “Love for Love”
- 1771
- Not on view
141
- Sarah Campbell
- 1777 to 1778
- Not on view
142
- Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
- ca. 1718
- Not on view
143
- John Broughton
- ca. 1767
- Not on view
144
- Margaret Callander and Her Son James Kearney
- 1795
- Not on view
145
- The Good Samaritan
- between 1751 and 1752
- Not on view
146
- Rebecca Receiving the Bracelet at the Well
- 1775
- Not on view
147
- Mr. and Mrs. Fraser
- 1785 to 1790
- Not on view
148
- A View of the Tiber with Rome in the Distance
- ca. 1775
- Not on view
149
- Cymon and Iphigenia
- ca. 1766
- Not on view
150
- Gentleman with a Cannon
- 1741
- Not on view
151
- Rome from the Villa Madama
- 1753
- Not on view
152
- The Gore Family with George, third Earl Cowper
- ca. 1775
- Not on view
153
- Children in an Interior
- ca. 1743
- Not on view
154
- The Sense of Hearing
- 1744 to 1747
- Not on view
155
- Dinas Bran from Llangollen
- 1770 to 1771
- Not on view
156
- Caernarfon Castle
- ca. 1745
- Not on view
157
- Matlock Tor by Moonlight
- between 1777 and 1780
- Not on view
158
- Portrait of an Elderly Lady and a Girl
- 1747
- Not on view
159
- Mary Hickey
- 1769 to 1773
- Not on view
160
- Charles Stanhope, third Earl of Harrington and Marcus Richard Fitzroy Thomas
- 1782
- Not on view
161
- South Prospect of Hampton Court, Herefordshire
- ca. 1705
- Not on view
162
- Box Hill, Surrey, with Dorking in the distance
- 1733
- Not on view
163
- John Dodd, of Swallowfield, Berkshire
- 1739
- Not on view
164
- Snowdon from Capel Curig
- 1787
- Not on view
165
- A Bay Horse in a Field
- 1778
- Not on view
166
- Tiger Hunting in the East Indies
- 1798
- Not on view
167
- John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk
- 1765
- Not on view
168
- A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
- between 1790 and 1799
- Not on view
169
- Elizabeth Bridgman (née Walton)
- between 1771 and 1775
- Not on view
170
- An Imaginary Landscape with a Wagon and a Distant View of a Town
- ca. 1749
- Not on view
171
- Lady Mary Wortley Montagu
- ca. 1720
- Not on view
172
- A Horse Frightened by a Lioness
- ca. 1800
- Not on view
173
- Tobias Smollet
- ca. 1764
- Not on view
174
- Study of a Grey Horse
- ca. 1800
- Not on view
175
- George, third Earl Cowper (1738-1789)
- ca. 1769
- Not on view
176
- Hussars Embarking at Deptford
- 1793
- Not on view
177
- An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank
- ca. 1730
- Not on view
178
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
179
- A Bay Racehorse with Jockey Up
- ca. 1730
- Not on view
180
- One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
- ca. 1730
- Not on view
181
- One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
- ca. 1730
- Not on view
182
- Borlase Cokayne as a Boy riding Sultana
- 1751
- Not on view
183
- Gentlemen Fishing
- 1794
- Not on view
184
- An Unknown Man, perhaps Charles Goring of Wiston (1744-1829), out Shooting with his Servant
- ca. 1765
- Not on view
185
- Three Hunters in a Rocky Landscape
- 1775
- Not on view
186
- Pheasant Shooting
- ca. 1790
- Not on view
187
- Foxhunting in Hilly Country
- 1792
- Not on view
188
- Setters
- between 1798 and 1799
- Not on view
189
- Old Fox held by a Groom
- 1721
- Not on view
190
- One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
- ca. 1730
- Not on view
191
- The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton
- 1747
- Not on view
192
- The Duke of Ancaster's Bay Stallion, Blank, Walking Towards a Mare
- ca. 1770
- Not on view
193
- Classical Landscape
- 1754
- Not on view
194
- Scipio, a spotted hunter, the property of Colonel Roche
- ca. 1750
- Not on view
195
- Classical Landscape with Figures and Animals: Sunset
- 1754
- Not on view
196
- Portrait of a sportsman, possibly Robert Rayner
- ca. 1770
- Not on view
197
- Releasing the Hounds
- ca. 1745
- Not on view
198
- The Mistletoe Bough
- ca. 1790
- Not on view
199
- Night
- 1799
- Not on view
200
- The Cave of Despair
- 1772
- Not on view