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Materials & Techniques line engraving

Remove constraint Materials & Techniques: line engraving

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Remove constraint Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851

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1801. Lord Ullin's Daughter (Vignette)

Lord Ullin's Daughter (Vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1802. Hohenlinden (Vignette)

Hohenlinden (Vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1803. The Soldier's Dream (Vignette)

The Soldier's Dream (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1804. The Last Man (Vignette)

The Last Man (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1805. The Death-Boat of Heligoland (Vignette)

The Death-Boat of Heligoland (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1806. Ehrenbreitstein (Vignette)

Ehrenbreitstein (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1807. The Garden

The Garden
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1808. The Beech Tree's Petition (Vignette)

The Beech Tree's Petition (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1809. Whitby

Whitby
Creator:
Print made by John Cousen, 1804–1880
Date:
1844-1867
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1810. St. Agatha's Abbey

St. Agatha's Abbey
Creator:
Print made by John Cousen, 1804–1880
Date:
1844-1867
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1811. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
1844-1867
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1812. Folkstone

Folkstone
Creator:
Print made by John Cousen, 1804–1880
Date:
1844-1867
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1813. Caligula's Palace and Bridge

Caligula's Palace and Bridge
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1838-1854
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1814. The Thames at Mortlake

The Thames at Mortlake
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1836-1838
Materials & Techniques:
Line engraving; engraver's proof on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1815. Oberwesel

Oberwesel
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838-1854
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1816. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1859
Materials & Techniques:
Steel engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1817. Dido and Aeneas

Dido and Aeneas
Creator:
Print made by James T. Willmore, 1800–1863
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1818. Cologne from the River

Cologne from the River
Creator:
Print made by Arthur Willmore, 1814–1888
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1819. Entrance of the Meuse-Orange Merchantman

Entrance of the Meuse-Orange Merchantman
Creator:
Print made by Robert Wallis, 1794–1878
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 7/8 inches (22.9 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1820. The Grand Canal, Venice

The Grand Canal, Venice
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 inches (22.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1821. Venice, The Dogana

Venice, The Dogana
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1875
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1822. Ancient Italy

Ancient Italy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 11 5/8 inches (23.2 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1823. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1824. Venice, the Bridge of Sighs

Venice, the Bridge of Sighs
Creator:
James Charles Armytage, 1802–1897
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1825. Venice from the Canal of the Giudecca

Venice from the Canal of the Giudecca
Creator:
Print made by Edward P. Brandard, 1819–1898
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1826. Approach to Venice

Approach to Venice
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1827. Rain, Steam and Speed

Rain, Steam and Speed
Creator:
Print made by Robert Brandard, 1805–1862
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving; first state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 1/2 inches (29.5 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1828. The Opening of the Walhalla

The Opening of the Walhalla
Creator:
Print made by Charles Cousen, ca. 1819–1889
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 7/8 inches (22.2 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1829. Snowstorm

Snowstorm
Creator:
Print made by Robert Brandard, 1805–1862
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1830. Whalers

Whalers
Creator:
Print made by Robert Brandard, 1805–1862
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1831. The Lake of Lucerne

The Lake of Lucerne
Creator:
Print made by Robert Wallis, 1794–1878
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 1/4 inches (29.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1832. Neptune's Trident (vignette on wrapper)

Neptune's Trident (vignette on wrapper)
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1824 to 1825
Materials & Techniques:
Etching and line engraving on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 17 5/8 × 11 1/8 inches (44.8 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1833. Dryburgh Abbey

Dryburgh Abbey
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1834. Front of Wrapper for Rivers of England (Number One)

Front of Wrapper for Rivers of England (Number One)
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Letterpress and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1835. Wrapper for Ports of England

Wrapper for Ports of England
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Letterpress and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1836. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
Creator:
Print made by unknown artist
Materials & Techniques:
Letterpress and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1837. The Prince of Orange Landing at Torbay

The Prince of Orange Landing at Torbay
Creator:
Print made by William Miller, 1796–1882
Date:
1852
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1838. Okehampton Castle, on the River Okement

Okehampton Castle, on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Mezzotint and line engraving; engraver's proof (b); completed proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1839. Okehampton Castle, on the River Okehampton

Okehampton Castle, on the River Okehampton
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Mezzotint and line engraving; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1840. Okehampton Castle, on the River Okement

Okehampton Castle, on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Mezzotint and line engraving; Turner's copy on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1841. Okehampton Castle, on the River Okement

Okehampton Castle, on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Mezzotint and line engraving; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1842. Wrapper to 'The Ports of England'

Wrapper to 'The Ports of England'
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Etching and line engraving on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1843. New Weir on the Wye

New Weir on the Wye
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1825
Materials & Techniques:
Etching and line engraving, with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 7 3/4 inches (13.7 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1844. Rouen Cathedral

Rouen Cathedral
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with white chine collé
Dimensions:
Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1845. Château Hamelin

Château Hamelin
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1846. Norham Castle - Moonrise

Norham Castle - Moonrise
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1847. Ports of England, Title Page and Wrapper

Ports of England, Title Page and Wrapper
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Letterpress and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1848. The Landing of Columbus

The Landing of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 × 8 1/16 inches (34.6 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1849. St. Julian's, Tours

St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, and graphite, with scraping, (Engraver's Proof) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1850. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, and graphite, with, sscraping (Touched Proof a) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1851. Portrait of J.M.W. Turner

Portrait of J.M.W. Turner
Creator:
Print made by William Holl II, 1807–1871
Date:
1859
Materials & Techniques:
Line engraving, stipple engraving and etching on thin, smooth, cream wove paper, mounted on cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/2 inches (44.5 × 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

1852. Scene at Colgong on the Ganges

Scene at Colgong on the Ganges
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1836
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

1853. Pilgrims at the Sacred Fair of Hurdwar

Pilgrims at the Sacred Fair of Hurdwar
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

1854. Crossing the Brook

Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 19 × 15 1/2 inches (48.3 × 39.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1855. Barnard Castle

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 9/16 inches (30.8 × 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1856. Heidelberg from the Opposite bank of the Neckar

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1846
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1857. Hastings

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1851
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1858. Hastings

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1851
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1859. Dover

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1851
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 25 3/4 × 35 1/2 inches (65.4 × 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1860. Dover

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1851
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 20 3/4 × 26 1/2 inches (52.7 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1861. Lake of Lucerne

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1854
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/8 × 24 7/8 inches (51.1 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1862. Zurich

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1854
Materials & Techniques:
Etching and line engraving, India proof before letters on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 34 7/8 inches (59.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1863. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1858
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 7/8 × 31 3/4 inches (60.6 × 80.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1864. Ilfracombe

No cover image available
Creator:
Print made by William Chapman, 1817–1879
Date:
between 1853 and 1874
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 × 29 7/8 inches (55.9 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1865. The Bay of Baiae, Apollo and the Sibyl

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1873
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1866. Dido Building Carthage

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1863
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 24 3/8 × 31 5/8 inches (61.9 × 80.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1867. Evening in Italy

No cover image available
Creator:
attributed to W. R. Smith, active 1819–1851
Date:
1810
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1868. Heidelberg from the Opposite Bank of the Neckar

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1846
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with beige chine-collé
Dimensions:
Sheet: 29 × 38 1/8 inches (73.7 × 96.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1869. Kilchurn Castle, Loch Awe

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1847
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1870. The Shipwreck

No cover image available
Creator:
Print made by John Burnet, 1784–1868
Date:
1853
Materials & Techniques:
Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 29 × 39 3/8 inches (73.7 × 100 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1871. The Golden Bough

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1856
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1872. Italy - Childe Harold's Pilgrimage

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1861
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 30 1/4 inches (52.1 × 76.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1873. The Bell Rock Lighthouse

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1862
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 34 inches (59.7 × 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1874. Battle of Trafalgar, Nelson's Ship

No cover image available
Creator:
Print made by John Burnet, 1784–1868
Date:
1858
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/4 × 39 inches (67.9 × 99.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1875. The Straits of Dover

No cover image available
Creator:
Print made by William Chapman, 1817–1879
Date:
1863
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1876. The Bell Rock Lighthouse

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1862
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 3/8 × 29 1/2 inches (59.4 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1877. Chain Bridge over the River Tees

No cover image available
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1838
Materials & Techniques:
Line engraving, 2nd state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1878. Between Quilleboeuf and Villequier

No cover image available
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Early Engraver's Proof) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1879. Lake of Lucerne

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1854
Materials & Techniques:
Etching and line engraving; India proof, second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1880. St. Michael's Mount, Cornwall

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1866
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 19 1/2 × 21 3/4 inches (49.5 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1881. The Nile

No cover image available
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1882. An Old Manor House

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 11/16 × 6 11/16 inches (29.7 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1883. Loch Achray, The Trosacks Benvenue

No cover image available
Creator:
Print made by J. Gellatly
Date:
ca. 1851
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1884. St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

No cover image available
Creator:
Print made by John Le Keux, 1783–1846
Date:
1822
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 16 7/8 inches (30.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1885. Rocks at Colgong on the Ganges

No cover image available
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1836
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1886. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

No cover image available
Creator:
Print made by Samuel Fisher, 1806–1851
Date:
between 1821 and 1851
Materials & Techniques:
Etching and line engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1887. Oxford from North Hinksey

No cover image available
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1841
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund