We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
3
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
4
James Gillray, 1756–1815
A Morning Ride
1804
5
unknown artist
Four Figures on a Sheet
undated
6
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
7
Charles Williams, active 1796–1830
The Union Club
undated
8
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
9
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
10
James Gillray, 1756–1815
Two Men at Fisticuffs
undated
11
James Gillray, 1756–1815
A London Street Crier
undated
12
Imitator of James Gillray, 1756–1815
The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
13
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
14
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
15
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
16
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
17
James Gillray, 1756–1815
Independence
1799
18
James Gillray, 1756–1815
A Man of Importance
1799
19
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
20
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
21
James Gillray, 1756–1815
A Portrait ------------
1799
22
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
23
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
24
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
25
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
26
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
27
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
28
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
29
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
30
James Gillray, 1756–1815
Patience on a Monument
1791
31
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
32
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
33
James Gillray, 1756–1815
The Friendly Agent
1787
34
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
35
James Gillray, 1756–1815
The Republican - Attack
1795
36
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
37
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
38
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
39
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
40
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
41
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
42
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
43
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
44
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
45
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
46
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
47
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
48
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
49
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
50
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
51
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
52
James Gillray, 1756–1815
A Hackney Meeting
1796
53
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
54
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
55
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
56
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
57
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
58
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
59
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
60
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
61
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
62
James Gillray, 1756–1815
The Triumphant Britons
1780
63
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
64
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
65
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
66
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
67
James Gillray, 1756–1815
The Soliloquy
1782
68
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
69
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
70
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
71
Print made by James Gillray, 1756–1815
The Sick Prince
1787
72
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
73
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
74
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
75
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
76
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
77
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
78
James Gillray, 1756–1815
Les Trois Magots
1791
79
James Gillray, 1756–1815
Gentle Emetic
1804
80
James Gillray, 1756–1815
Breathing a vein
1804
81
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
82
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
83
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
84
James Gillray, 1756–1815
Light Expelling Darkness
1795
85
James Gillray, 1756–1815
New Morality
1798
86
James Gillray, 1756–1815
Doublûres of Characters
1798
87
James Gillray, 1756–1815
Egyptian Sketches
1799
88
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
89
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
90
James Gillray, 1756–1815
The Pigs Possessed
1807
91
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
92
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings