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Materials & Techniques watercolor

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Work Type intaglio print

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1. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...
Creator:
Print made by J. Carwitham, active 1720–1740
Date:
1778
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Sea Engagement between the English and Algerines

A Sea Engagement between the English and Algerines
Creator:
Print made by Paul Fourdrinier, 1698–1758
Date:
ca. 1743
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Cape of Good Hope

The Cape of Good Hope
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 × 26 inches (49 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Fort St. George

Fort St. George
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 × 23 3/4 inches (46 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Tellicherry

Tellicherry
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 x 23 1/2in. (45.7 x 59.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Barmouth, Merionethshire

Barmouth, Merionethshire
Creator:
Print made by William Daniell, 1769–1837
Date:
1814
Materials & Techniques:
Aquatint with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 9/16 x 14 15/16 inches (26.8 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

7. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.
Creator:
Print made by Remi Parr, active 1723–1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 18 1/16 inches (31.8 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Sweet William's Farewell to Black Eyed Susan

Sweet William's Farewell to Black Eyed Susan
Creator:
Print made by Paul Fourdrinier, 1698–1758
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 18 1/8 inches (31.2 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Quay at Straddon Point Near Plymouth

Quay at Straddon Point Near Plymouth
Creator:
Print made by William Daniell, 1769–1837
Date:
1825
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, sightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers