Creator Gender: female / Credit Line: Yale Center for British Art, Paul Mellon Collection / Image Available: Unavailable

Edith Oenone Somerville Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Occasional Licenses" - plate 2

Edith Oenone Somerville, 1858–1949

Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Occasional Licenses" - plate 2

1929

Edith Oenone Somerville, 1858–1949

Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Put down one & carry two" - plate 3

1929

Edith Oenone Somerville, 1858–1949

Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes."The Comte de Pralines" - plate 4

1929

Prints made by Cecelia Lucy Brightwell, 1811–1875

A Collection of Etchings...after Cotman, Fuseli, Rembrandt, Durer, Roysdael, Caracci, after her own designs

Mary Dawson Turner, 1774–1850

Collection of Portraits & Other Engravings. Many in proof state. (bound with) Views of Iceland by W. J. Hooker

Print made by Miss Frances Waring, active 1801–1826

The Bridge at Broar

1803

Print made by Miss Frances Waring, active 1801–1826

Lint Mills near Dunkeld

1803

Print made by Miss Frances Waring, active 1801–1826

Bothwell Castle

1803

Print made by Miss Frances Waring, active 1801–1826

The Great Fall of the Clyde

1803

Print made by Miss Frances Waring, active 1801–1826

Loch Lomond

1803

Print made by Miss Frances Waring, active 1801–1826

Fascally

1803

Print made by Miss Frances Waring, active 1801–1826

Gretna Green

1803

Print made by Miss Frances Waring, active 1801–1826

Queen's Ferry

1803

Print made by Miss Frances Waring, active 1801–1826

Roslin Castle

1803

Print made by Miss Frances Waring, active 1801–1826

Dunkeld Cathedral

1803

Print made by Miss Frances Waring, active 1801–1826

Queen's Ferry

1803

Print made by Miss Frances Waring, active 1801–1826

Stirling Castle

1803

Print made by Miss Frances Waring, active 1801–1826

Queen's Ferry

1803

Carolina Leighton, active 1796

Album of Twenty Etchings of Shakespearian Subjects

1796

Print made by Miss Frances Waring, active 1801–1826

Dunbar Castle

1803

Francesco Bartolozzi, 1728–1815

Diana Preparing for Hunting

Amelia Long, 1762–1837

Terrace and the Conservatory Room. Bromley Hill

between 1801 and 1837

Edith Oenone Somerville, 1858–1949

Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "A Conspiracy of Silence" - plate 1

1929

Louisa Augusta Greville, 1743–active 1762

Clerical figure with three balls balanced between his hands

ca. 1762

Print made by Louisa Augusta Greville, 1743–active 1762

Landscape with a Youth Driving a Flock of Sheep

1761

Print made by Jean Marie Delatre, 1746–1840

The Death of Mark Antony

1805

Francesco Bartolozzi, 1728–1815

The Three Fine Arts (Fan)

Louisa Augusta Greville, 1743–active 1762

Pastoral scene with river, cattle and woman conversing with a traveller

1762

Louisa Augusta Greville, 1743–active 1762

Horseman approaching three arched bridge. Pedestrians on road

undated

James Gillray, 1756–1815

Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger

1801

James Gillray, 1756–1815

Westminster-Conscripts under the Training Act

1806

James Gillray, 1756–1815

Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing

1806

James Gillray, 1756–1815

Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

1806

James Gillray, 1756–1815

The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats

ca. 1808

James Gillray Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

James Gillray, 1756–1815

Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

1807

James Gillray, 1756–1815

The Nursery, with, Britannia Reposing in Peace

1802

James Gillray The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

James Gillray, 1756–1815

The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

1800

James Gillray, 1756–1815

The Apotheosis of the Corsican Phoenix

1808

James Gillray Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

James Gillray, 1756–1815

Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

1808

James Gillray The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

James Gillray, 1756–1815

The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber

1807

James Gillray, 1756–1815

Introduction of Citizen Volpone - and His Suite, at Paris

1802

James Gillray, 1756–1815

Half Natural

1799

James Gillray, 1756–1815

Pen-etration

1799

James Gillray, 1756–1815

Citizens Visiting the Bastille, - Vide. Democratic Charities. -

1799

James Gillray, 1756–1815

The Spanish-Bull-Fight - or - The Corsical-Matador in Danger

1808

James Gillray The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

James Gillray, 1756–1815

The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

1806

James Gillray, 1756–1815

German - Nonchalence: - or - The Vexation of Little Boney

1803

James Gillray, 1756–1815

The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

1800

James Gillray, 1756–1815

Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes

1804

James Gillray, 1756–1815

The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins

1800

James Gillray, 1756–1815

Pizarro, Contemplating (over) The Product of His Peruvian Mine

1799

James Gillray, 1756–1815

Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"

1801

James Gillray, 1756–1815

The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket

1806

James Gillray, 1756–1815

Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row

1806