The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
8
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
9
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
10
James Gillray, 1756–1815
The Legacy
1786
11
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
12
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
13
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
14
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
15
James Gillray, 1756–1815
The Tottering Pyramid
1784
16
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
17
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
18
James Gillray, 1756–1815
The Battle of Bow-Street
1788
19
James Gillray, 1756–1815
The English Regency
1789
20
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
21
James Gillray, 1756–1815
The Republican - Attack
1795
22
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
23
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
24
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
25
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
26
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
27
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
28
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
29
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
30
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
31
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
32
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
33
James Gillray, 1756–1815
Independence
1799
34
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
35
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
36
James Gillray, 1756–1815
A Man of Importance
1799
37
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
38
James Gillray, 1756–1815
A Hackney Meeting
1796
39
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
40
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
41
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
42
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
43
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
44
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
45
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
46
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
47
James Gillray, 1756–1815
The Soliloquy
1782
48
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
49
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
50
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
51
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
52
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
53
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
54
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
55
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
56
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
57
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
58
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
59
James Gillray, 1756–1815
United Irishmen in Training
1798
60
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
61
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
62
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
63
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
64
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
65
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
66
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
67
James Gillray, 1756–1815
Le Coup de Maitre
1797
68
James Gillray, 1756–1815
The Tree of Liberty
1797
69
James Gillray, 1756–1815
John Bull Ground Down
1795
70
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
71
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
72
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
73
James Gillray, 1756–1815
The Death of the Great Wolf
1795
74
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
75
James Gillray, 1756–1815
The Lover's Dream
1795
76
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
77
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
78
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
79
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
80
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
81
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
82
James Gillray, 1756–1815
What a Cur ' tis
1795
83
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
84
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
85
James Gillray, 1756–1815
The Prodigal Son
1787
86
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
87
James Gillray, 1756–1815
Love's Last Shift
1787
88
James Gillray, 1756–1815
The Royal Society
1786
89
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
90
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
91
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
92
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
93
James Gillray, 1756–1815
French Liberty - British Slavery
1792
94
James Gillray, 1756–1815
The Introduction
1791
95
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
96
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
97
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
98
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar