Palais de Versailles, Cour Royale, page four [A. Pirgin, direx] (Volume Three)
1829
2
Print made by Jonathan Spilsbury, active 1765–1780
Mrs. Macaulay
ca. 1764
3
Print made by Jonathan Spilsbury, active 1765–1780
Catharine Macaulay
ca. 1764
4
Richard Purcell, active 1746–1766
Miss Harriet Powell
5
Print made by John Spilsbury, 1730–1795
Catherine Macaulay (née Sawbridge)
1764
6
Print made by Caroline Watson, 1760–1814
The Right Honourable. James Harris, 1st Earl of Malmesbury
1797
7
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
8
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
9
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
10
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
11
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
12
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
13
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
14
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
15
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
16
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
17
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
18
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
19
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
20
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
21
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
22
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
23
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
24
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
25
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
26
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
27
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
28
James Gillray, 1756–1815
Half Natural
1799
29
James Gillray, 1756–1815
Pen-etration
1799
30
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
31
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
32
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
33
Print made by Miss Frances Waring, active 1801–1826
Loch Lomond
1803
34
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld
1803
35
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
36
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
37
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde
1803
38
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
39
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
40
Print made by Miss Frances Waring, active 1801–1826
The Bridge at Broar
1803
41
Print made by Miss Frances Waring, active 1801–1826
Loch Lomond
1803
42
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde (Variant)
1803
43
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
44
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
45
Print made by Miss Frances Waring, active 1801–1826
Fascally
1803
46
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld (Variant)
1803
47
Print made by Miss Frances Waring, active 1801–1826
Dunbarton Castle
1803
48
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
49
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
50
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
51
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
52
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Castle
1803
53
Print made by Miss Frances Waring, active 1801–1826
The Bridge at Broar
1803
54
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
55
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
56
Print made by James Watson, 1740–1790
Miss Trimmer
57
Richard Purcell, active 1746–1766
A Venetian Lady at Masquerade
58
Miss Mary Byrne, 1776–1846
Palais de Versailles, Facade du Jardin; page five [A. Pirgin, direx] (Volume Three)
59
Robert Smirke, 1752–1845
Untitled: Classical Pastoral Scene
60
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
61
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
62
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
63
Robert Smirke, 1752–1845
Untitled: Two Medieval Crests
64
Louisa Augusta Greville, 1743–active 1762
Clerical figure with three balls balanced between his hands
ca. 1762
65
Louisa Augusta Greville, 1743–active 1762
Pastoral scene with river, cattle and woman conversing with a traveller
1762
66
Print made by Louisa Augusta Greville, 1743–active 1762
Landscape with a Youth Driving a Flock of Sheep
1761
67
Louisa Augusta Greville, 1743–active 1762
Horseman approaching three arched bridge. Pedestrians on road
undated
68
Print made by Jean Marie Delatre, 1746–1840
The Death of Mark Antony
1805
69
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "A Conspiracy of Silence" - plate 1
1929
70
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Occasional Licenses" - plate 2
1929
71
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Put down one & carry two" - plate 3
1929
72
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes."The Comte de Pralines" - plate 4
1929
73
Amelia Long, 1762–1837
Terrace and the Conservatory Room. Bromley Hill
between 1801 and 1837
74
unknown artist
The Old Houses, Holborn
75
unknown artist
Staple's Inn, Holborn
1800
76
Mabel Catherine Robinson, Born 1875
Staple Inn, Holborn
1907
77
Francesco Bartolozzi, 1728–1815
Diana Preparing for Hunting
78
Francesco Bartolozzi, 1728–1815
Invention
1787
79
Francesco Bartolozzi, 1728–1815
The Three Fine Arts (Fan)
80
Luigi Schiavonetti, 1765–1810
Troilus and Cressida, Act V, Scene II: Calcha's Tent
1803
81
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Cathedral
1803
82
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
83
Print made by Miss Frances Waring, active 1801–1826
The Bridge at Broar
1803
84
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
85
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
86
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde
1803
87
Print made by Miss Frances Waring, active 1801–1826
Fascally
1803
88
Print made by Miss Frances Waring, active 1801–1826
Loch Lomond
1803
89
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
90
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld
1803
91
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
92
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
93
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
94
Prints made by Cecelia Lucy Brightwell, 1811–1875
A Collection of Etchings...after Cotman, Fuseli, Rembrandt, Durer, Roysdael, Caracci, after her own designs
95
Carolina Leighton, active 1796
Album of Twenty Etchings of Shakespearian Subjects
1796
96
Mary Dawson Turner, 1774–1850
Collection of Portraits & Other Engravings. Many in proof state. (bound with) Views of Iceland by W. J. Hooker
97
Print made by Miss Frances Waring, active 1801–1826
Fascally
1803
98
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
99
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Cathedral
1803
100
Print made by Miss Frances Waring, active 1801–1826