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William Blake, 1757–1827

Pl. 12: 'Psyche Disobeys'

1796

William Blake, 1757–1827

Pl. 13: `Psyche Repents'

1796

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

1821, reprinted 1977

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

1821, reprinted 1977

William Blake, 1757–1827

Pl. 12: `Psyche Disobeys.'

1796

William Blake, 1757–1827

Pl. 18: `Iron Age'

1796

William Blake, 1757–1827

Pl. 19: `Aristophanes Clouds. Scene I'

1796

William Blake, 1757–1827

Pl. 23: `Anacreon Ode LII'

1796

William Blake, 1757–1827

Pl. 13: `Psyche Repents.'

1796

William Blake, 1757–1827

Pl. 15: `The Conjugal Union of Cupid'

1796

William Blake, 1757–1827

My sheep quite spent through travel and ill fare

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

1821, reprinted 1977

William Blake, 1757–1827

And now behold the sun's departing ray

1821, reprinted 1977

William Blake, 1757–1827

Each creature, Thenot, to his task is born

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

1821, reprinted 1977

William Blake, 1757–1827

Or blasting winds o'er blossom'd hedge-rows pass

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

1821, reprinted 1977

William Blake, 1757–1827

Pl. 16: `Cupid & Psyche'

1796

William Blake, 1757–1827

Pl. 19: `Aristophanes Clouds. Scene I'

1796

William Blake, 1757–1827

Pl. 23: `Anacreon Ode LII'

1796

William Blake, 1757–1827

Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]

1826

William Blake, 1757–1827

Illustrations to Dante's Divine Comedy

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827

The Life of George Romney

1809

William Blake, 1757–1827

The Life of George Romney

1809

William Blake, 1757–1827

The Life of George Romney

1809

Print made by William Blake, 1757–1827

William Cowper

1803-1804

William Blake, 1757–1827

The Triumphs of Temper

1803

William Blake, 1757–1827

Ballads

1805

William Blake, 1757–1827

The Triumphs of Temper

1803

William Blake, 1757–1827

The Life of George Romney

1809

William Blake, 1757–1827

The Life of George Romney

1809

William Blake, 1757–1827

The Life of George Romney

1809

William Blake, 1757–1827

The Life of George Romney

1809

William Blake, 1757–1827

The Life of George Romney

1809

William Blake, 1757–1827

The Life of George Romney

1809

William Blake, 1757–1827

The Life of George Romney

1809

Print made by William Blake, 1757–1827

Mrs Cowper Mother of the Poet

1803-1804

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

A Father's Memoirs of His Child

1806

William Blake, 1757–1827

A Father's Memoirs of His Child

1806

William Blake, 1757–1827

A Father's Memoirs of His Child

1806

William Blake, 1757–1827