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1. Le Silence Favorable

Le Silence Favorable
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Les Plaisirs Paternels

Les Plaisirs Paternels
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 13/16 x 5 13/16 inches (19.8 x 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1759
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Couple Staring out of Window

Couple Staring out of Window
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 6 1/4 inches (18.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. A Present

A Present
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper mounted to medium, slightly textured, beige card
Dimensions:
Sheet: 2 7/8 × 3 5/8 inches (7.3 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. "We Met"

"We Met"
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 4 inches (10.2 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Sketch for Whiskers

Sketch for Whiskers
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/8 × 2 1/4 inches (8.6 × 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Kneeling figures in Church

Kneeling figures in Church
Creator:
Gwen John, 1876–1939
Date:
undated
Materials & Techniques:
Gouache and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 6 3/4 inches (22.2 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Cognocenti Contemplating ye Beauties of ye Antique

A Cognocenti Contemplating ye Beauties of ye Antique
Creator:
Print made by James Gillray, 1756–1815
Date:
1801
Materials & Techniques:
Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card
Dimensions:
Sheet: 15 3/8 × 10 11/16 inches (39 × 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

10. A Kneeling Knight with a Female Figure and Child

A Kneeling Knight with a Female Figure and Child
Creator:
Queen Charlotte, 1744–1818
Date:
undated
Materials & Techniques:
Brown wash, pen and black ink, and graphite on thick, slightly textured, cream card
Dimensions:
Sheet: 16 × 14 inches (40.6 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, anonymous gift in honor of John Morton Morris

11. South African Soldier, Grezzana, Italy, 1944

South African Soldier, Grezzana, Italy, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund