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Materials & Techniques aquatint

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Materials & Techniques line engraving

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Distress'd Situation of the Dutton East Indiaman
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1796
Materials & Techniques:
Etching, aquatint, and line engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 7/8 × 26 1/2 inches (50.5 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
Creator:
Robert Pollard, 1755–1838
Date:
1790
Materials & Techniques:
Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Antony and Cleopatra, Act I, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, aquatint, and hand-colored brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Lear, Act 4, Scene VII
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Troilus and Crssida, Act 3, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ophelia vide Hamlet, Act 4, Scene VII
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Troilus and Cressida, Act 4, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of London Bloomsbury Square
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1787
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 25 3/4 inches (50.2 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Hanover Square
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1787
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 9/16 × 25 5/8 inches (49.7 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
His Majesty Reviewing His Troops on Black Heath
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1797
Materials & Techniques:
Aquatint, etching, and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 13/16 × 28 inches (47.8 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection