<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques brown ink

Remove constraint Materials & Techniques: brown ink

Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Genre landscape

Remove constraint Genre: landscape

Work Type drawing

Remove constraint Work Type: drawing

Subject Terms science

Remove constraint Subject Terms: science

Search Results

William Callow Walenstadt, from Weesen, Switzerland
William Callow, 1812–1908
Walenstadt, from Weesen, Switzerland
1842
Thomas Hearne Giant Oaks
attributed to Thomas Hearne, 1744–1817
Giant Oaks
undated
Samuel Prout Coast Scene near Plymouth
Samuel Prout, 1783–1852
Coast Scene near Plymouth
undated
William Callow The Rhine at Assmannshausen
William Callow, 1812–1908
The Rhine at Assmannshausen
1863
William Turner of Oxford Clovelly, North Devon
William Turner of Oxford, 1789–1862
Clovelly, North Devon
undated
Thomas Rowlandson Falls on the River Conwy, North Wales
Thomas Rowlandson, 1756–1827
Falls on the River Conwy, North Wales
undated
Thomas Rowlandson A High Waterfall
Thomas Rowlandson, 1756–1827
A High Waterfall
undated
unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
John Warwick Smith Craig y Ladron - The Thieves Precipice
John Warwick Smith, 1749–1831
Craig y Ladron - The Thieves Precipice
1797
Anthony Vandyke Copley Fielding A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
1834