Materials & Techniques: chine collé and line engraving / Period: 19th century / Genre: architectural subject / Image Available: Available / Collective Title: Picturesque Views in England and Wales

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Materials & Techniques chine collé

Materials & Techniques line engraving

Period 19th century

Genre architectural subject

Image Available Available

Collective Title Picturesque Views in England and Wales

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge

1832

Print made by John Horsburgh, 1791–1869

Malvern Abbey and Gate, Worcestershire

1832

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by William Miller, 1796–1882

Stamford, Lincolnshire

1830

Print made by James T. Willmore, 1800–1863

Alnwick Castle

1830

Print made by James T. Willmore, 1800–1863

Llanthony, Monmouthshire

1836

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Stone Henge, Wiltshire

1829

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by John Horsburgh, 1791–1869

Laugharne Castle

1833

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by William Miller, 1796–1882

Windsor Castle

1831

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