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Materials & Techniques etching (printing process)

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Date 1790

Remove constraint Date: 1790

Classification Prints

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John Howard, Esq. Visiting and Relieving the Miseries of a Prison
Creator:
Print made by Jacob Hogg, active 1751
Date:
1790
Materials & Techniques:
Etching and engraving on medium, moderately textured, cream wove paper
Dimensions:
Plate: 19 1/2 × 24 1/4 inches (49.5 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alexander
Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1790
Materials & Techniques:
Aquatint, etching, and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 15 5/8 inches (53 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Girl Sleeping
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1790
Materials & Techniques:
Etching, engraving, aquatint and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 3/8 inches (40 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of Mrs. Elizabeth Stanhope
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1790
Materials & Techniques:
Stipple engraving, mezzotint, etching, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/16 × 10 1/16 inches (33.5 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Infancy (Francis George Hare)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1790
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 10 7/16 inches (35.6 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Contemplation
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1790
Materials & Techniques:
Stipple engraving, mezzotint, etching, and aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 15/16 × 11 7/16 inches (35.4 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 4 inches (11.2 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Adam and Eve in Paradise
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Stipple engraving, line engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Etching and drypoint
Dimensions:
Plate: 19 x 24 7/8in. (48.3 x 63.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Engraving and etching
Dimensions:
Plate: 19 x 24 7/8in. (48.3 x 63.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Ashburton
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Line engraving, stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Etching and engraving, printed in color and hand-colored
Dimensions:
Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord FitzGibbon
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Stipple engraving and etching in black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 10 11/16 inches (37.2 x 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
Creator:
Robert Pollard, 1755–1838
Date:
1790
Materials & Techniques:
Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Mask

The Mask
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1790
Materials & Techniques:
Color printed etching and stipple engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/16 × 12 9/16 inches (25.9 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Contemplation
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1790
Materials & Techniques:
Stipple engraving, mezzotint, etching, and aquatint on moderately thick, slightly textured, laid paper
Dimensions:
Sheet: 13 7/8 × 11 1/4 inches (35.2 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Mount: 17 1/16 × 12 1/8 inches (43.3 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick W. Hilles
No cover image available
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Line engraving, stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection