Materials & Techniques: gray wash / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1745 / Subject Terms: arches and mountains - YCBA Collections Search Search Results

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Materials & Techniques gray wash

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1745

Subject Terms arches

Subject Terms mountains

1. The Basilica at Pergamon

The Basilica at Pergamon

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. View of the Ruined Theater of Aezani at Tjaden

View of the Ruined Theater of Aezani at Tjaden

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. View and Plan of the Theater of Hierapolis (now Pamukkale)

View and Plan of the Theater of Hierapolis (now Pamukkale)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 3/8 x 14 15/16 inches (54.3 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Aquedotto Angolare

Aquedotto Angolare

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. View of Ruins at Tivoli

View of Ruins at Tivoli

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash, blue wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. View of the Ruined Baths at Hadrian's Villa at Tivoli

View of the Ruined Baths at Hadrian's Villa at Tivoli

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 x 21 5/16 inches (38.1 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Unfinished View of the Palatine in Rome

Unfinished View of the Palatine in Rome

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 21 1/4 inches (37.7 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. View of Tivoli

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 21 3/16 inches (37.9 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Landscape with a Castle and a Bridge

Landscape with a Castle and a Bridge

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash over graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:: Sheet: 5 7/16 x 7 5/16 inches (13.8 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection