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Materials & Techniques laid paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Exhibition History Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

Remove constraint Exhibition History: Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

Image Available Available

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Work Type watercolor

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Image Use Free to Use

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Search Results

Paul Sandby London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
Thomas Sandby Whitehall Showing Holbein's Gate and Banqueting Hall
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
Paul Sandby The Queen Elizabeth Gate
Paul Sandby, 1731–1809
The Queen Elizabeth Gate
1767
Paul Sandby London Cries: A Muffin Man
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
Paul Sandby Portrait of a Lady at a Drawing Table
Paul Sandby, 1731–1809
Portrait of a Lady at a Drawing Table
undated
Paul Sandby Two Men, One Holding a Whip
Paul Sandby, 1731–1809
Two Men, One Holding a Whip
ca. 1754
Inigo Jones Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War
Inigo Jones, 1573–1652
Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War
ca. 1622
Sir James Thornhill A Design for a Ceiling
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
Sir James Thornhill Design for Ceiling Walls and Staircase
Sir James Thornhill, 1675–1734
Design for Ceiling Walls and Staircase
between 1712 and 1713
Thomas Gainsborough Mountain Landscape with Figures, Sheep and Fountain
Thomas Gainsborough, 1727–1788
Mountain Landscape with Figures, Sheep and Fountain
between 1785 and 1788
Thomas Gainsborough Open Landscape with Figures, Cows and Cottage
Thomas Gainsborough, 1727–1788
Open Landscape with Figures, Cows and Cottage
between 1785 and 1788
Henry Fuseli Study of a Back of a Female Nude, Standing
attributed to Henry Fuseli, 1741–1825
Study of a Back of a Female Nude, Standing
undated