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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
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21
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
20
Cooke, William Bernard, 1778–1855
13
Scott, John, 1774–1828
3
Allen, James C., active 1821–1831
2
Cooke, George, 1781–1834
2
Robinson,, Son & Holdsworth, active 1813–1816
2
Byrne, John, 1786–1847
1
Kennion, Charles John, 1789–1853
1
Kennion, Edward, 1743–1809
1
Unknown artist
1
Date
1834
231
1835
90
1836
74
1833
72
1830
55
1832
52
1837
50
1818
48
1828
37
1814
31
1838
27
1821
26
1827
26
1859
25
1816
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21
1831
21
1820
19
1822
17
1826
16
1839
16
1819
15
1825
15
1799
13
1829
13
1800
11
1842
11
1775
10
1810
10
1844
9
1805
8
1811
8
1823
8
1841
8
1792
7
1795
7
1803
7
1812
7
1824
7
1794
6
1854
6
1776
5
1817
5
1796
4
1797
4
1798
4
1840
4
1845
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1851
4
1754
3
1778
3
1801
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1846
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1856
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1860
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1766
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1772
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1808
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1938
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1675
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1
1757
1
1760
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1764
1
1765
1
1767
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1769
1
1779
1
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1
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1
1793
1
1847
1
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1858
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1
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1
1873
1
1878
1
1879
1
1885
1
1894
1
1895
1
1920
1
1927
1
On-site Access
Accessible by appointment in the Study Room
21
Image Use
Free to Use
21
Image Available
Available
21
Classification
Prints
21
Creator Gender
male
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21
unknown
1
Collective Title
Cooke's Views in Sussex
10
Whitaker's 'Loidis and Elmete,' 1816
5
Cooke's Rivers of Devon
4
Period
19th century
21
Materials & Techniques
line engraving
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21
wove paper
19
etching (printing process)
16
chine collé
2
laid paper
2
Height [cm]
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39
Width [cm]
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Current results range from
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55
Work Type
intaglio print
21
Genre
landscape
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21
architectural subject
5
genre subject
5
animal art
1
historical subject
1
marine art
1
Subject Terms
architectural subject
2
bananas
1
bridge
1
fences
1
gorge (landform)
1
landscape
1
landscape (environment)
1
landscape (representation)
1
mountain
1
people
1
plantation
1
river
1
Associated Places
Alps
1
Dartmoor
1
Devon
1
England
1
Europe
1
Jamaica
1
San Gottardo, Passo del
1
Schweiz
1
Schöllenen Gorge
1
Teufelsbrücke
1
United Kingdom
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
20
Yale Center for British Art, Gift of James Langhorne
1
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Materials & Techniques
line engraving
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male
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Collection
Prints and Drawings
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Date
1816
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landscape
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1
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
2
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
3
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
4
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
5
Print made by unknown artist
The Little Devil's Bridge
between 1816 and 1820
6
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
7
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
8
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
9
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
10
Print made by John Scott, 1774–1828
Harewood House
1816
11
Print made by John Scott, 1774–1828
Harewood House
1816
12
Print made by George Cooke, 1781–1834
Gledhow
1816
13
Print made by George Cooke, 1781–1834
Gledhow
1816
14
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
15
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
16
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
17
Print made by William Bernard Cooke, 1778–1855
Source of the Tamar and Torridge
1816
18
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
19
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
20
Print made by John Scott, 1774–1828
Harewood House
1816
21
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816