Materials & Techniques: line engraving / Author ss: after Joseph Mallord William Turner, 1775–1851, British / Genre: genre subject

1. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 × 20 1/2 inches (35.6 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Frosty Morning-Sunrise

Creator:: Print made by Robert Brandard, 1805–1862
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Crossing the Brook

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 1/8 × 22 5/8 inches (76.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Crossing the Brook

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 19 × 15 1/2 inches (48.3 × 39.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 3/4 inches (31.8 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Dartmoor; Source of the Tamar and the Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Martigny

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving; modern impression on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Martigny (vignette)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Source of the Tamar and Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Martigny

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. Bemerside Tower

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Bermerside

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Bemerside Tower (Vignette)

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Bermerside

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 8 1/2 inches (25.4 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Birdcage

Creator:: Print made by Charles H. Jeens, 1827–1879
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 8 3/4 inches (32.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. St. Caterine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Heriot's Hospital

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Dead Eagle - Oran

Creator:: Print made by William Miller, 1796–1882
Date:: 1837
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 7 3/4 inches (31.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Dead Eagle - Oran (Vignette)

Creator:: Print made by William Miller, 1796–1882
Date:: 1837
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 9/16 × 11 3/16 inches (42.1 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Winchester Cross

Creator:: Print made by Joseph Powell, 1780–1834
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Hylton Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Country Blacksmith

Creator:: Print made by Charles W. Sharpe, active 1858–1883
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 7/8 inches (24.8 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Tours - Looking Backward

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

35. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Creator:: Print made by unknown artist
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Edinburgh from Leith Harbour, Vignette Title to Vol. II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Fetcham Park

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1838-1852
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1858
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 7/8 × 31 3/4 inches (60.6 × 80.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques line engraving

Author ss after Joseph Mallord William Turner, 1775–1851, British

Genre genre subject

Search Results

1. Ivy Bridge, Devonshire

2. A Frosty Morning-Sunrise

3. Crossing the Brook

4. Crossing the Brook

5. Gledhow

6. Edinburgh Castle, Vignette Title to Vol. I

7. Edinburgh Castle, Vignette Title to Vol. I

8. Gledhow

9. Gledhow

10. Dartmoor; Source of the Tamar and the Torridge

11. Martigny

12. Bodiham Castle, Sussex

13. Martigny (vignette)

14. Source of the Tamar and Torridge

15. Martigny

16. Plymouth, Devonshire

17. Oxford from North Hinksey

18. Oxford from North Hinksey

19. Bemerside Tower

20. Bermerside

21. Bemerside Tower (Vignette)

22. Bermerside

23. The Birdcage

24. St. Caterine's Hill, near Guildford, Surrey

25. St. Catherine's Hill, near Guildford, Surrey

26. St. Catherine's Hill, near Guildford, Surrey

27. Heriot's Hospital

28. The Dead Eagle - Oran

29. The Dead Eagle - Oran (Vignette)

30. Winchester Cross

31. Hylton Castle, County of Durham

32. A Country Blacksmith

33. Richmond Hill and Bridge, Surrey

34. Tours - Looking Backward

35. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

36. Edinburgh from Leith Harbour, Vignette Title to Vol. II

37. Fetcham Park

38. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore