Materials & Techniques: line engraving / Period: 19th century / Exhibition History: Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) / Genre: architectural subject and landscape

Start Over

You searched for:

Materials & Techniques line engraving

Period 19th century

Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Genre architectural subject

Genre landscape

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by John Wykeham Archer, 1808–1864

Richmondshire Castle and Town

1820

Print made by James H. Kernot, active early 19th century

St. Caterine's Hill, near Guildford, Surrey

1832

Print made by Robert Brandard, 1805–1862

St. Florent

1833

Print made by James T. Willmore, 1800–1863

Tancarville

1834

Print made by Thomas Jeavons, ca. 1800–1867

Kenilworth Castle, Warwickshire

1832

Print made by W. R. Smith, active 1819–1851

Rosslyn Castle

ca. 1822

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Engraved by John Pye, 1782–1874

Pope's Villa

1810

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Brandard, 1805–1862

St. Florent

1833

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period