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Materials & Techniques pen

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Associated Places United Kingdom

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Associated Places Wales

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Subject Terms trees

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St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground...
Creator:
Attributed to Edward Edwards, 1738–1806
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen, ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 7/8 inches (22.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carew Castle South Wales
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 3/4 inches (21.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Erthig, Denbigshire, Wales
Creator:
Moses Griffith, 1747–1819
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured cream laid paper
Dimensions:
Sheet: 9 1/2 x 18 7/8in. (24.1 x 47.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Erthig, Denbigshire, Wales
Creator:
Moses Griffith, 1747–1819
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 inches (31.4 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valley of the Conway
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1800
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on thick, moderately textured, beige cardtridge paper
Dimensions:
Sheet: 9 1/4 x 20 11/16 inches (23.5 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flint Castle
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falls on the River Conwy, North Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and gray-blue ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 11/16 x 11 5/16 inches (19.5 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valle Crucis Abbey, Denbighshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 9 3/4 x 12 1/4 inches (24.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carnarvon Castle, North Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Festiniog, Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Snowdon

Snowdon
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper prepared with yellow wash
Dimensions:
Sheet: 6 1/4 x 10 1/16in. (15.9 x 25.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection