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Materials & Techniques scraping

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Exhibition History Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)

Remove constraint Exhibition History: Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)

Work Type drawing

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A View of the Harbour at Cannes
Creator:
Edward Lear, 1812–1888
Date:
1869
Materials & Techniques:
Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Pine Woods Above Cannes
Creator:
Edward Lear, 1812–1888
Date:
1869
Materials & Techniques:
Watercolor and gumming with pen in brown and blue ink, and scraping out, over graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 6 9/16 x 20 3/16 inches (16.7 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Forum in Rome
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
1828
Materials & Techniques:
Watercolor over graphite with stopping-out, scraping out and gum on medium, smooth, white wove paper
Dimensions:
Sheet: 15 7/8 x 25 1/2 inches (40.3 x 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Castalian Spring, Delphi
Creator:
John Fulleylove, 1845–1908
Date:
ca. 1895
Materials & Techniques:
Watercolor over graphite with scraping out on thick, rough cream wove paper
Dimensions:
Sheet: 10 7/8 × 7 1/2 inches (27.6 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light
Creator:
John Fulleylove, 1845–1908
Date:
ca. 1895
Materials & Techniques:
Watercolor and graphite, with scraping out on thick, rough, wove paper
Dimensions:
Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection