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Materials & Techniques watercolor

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Credit Line Yale Center for British Art, Paul Mellon Fund

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On-site Access Accessible by appointment in the Study Room

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Period 19th century

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Image Available Available

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Search Results

Lear in the Storm
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with gouache and scraping, partially varnished on moderately thick, slightly textured, cream wove paper mounted on thick, slightly textured, peach wove paper with contemporary drawn border
Dimensions:
Contemporary drawn border: 30 1/16 x 24 15/16 inches (76.3 x 63.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cavalrymen Mounting Near a Fort
Creator:
Elizabeth Thompson, Lady Butler, 1846–1933
Date:
1865
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 12 3/16 inches (19.7 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Gentleman and a Lady
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Watercolor, graphite and gouache on medium, slightly textured, beige wove paper mounted to card
Dimensions:
Sheet: 8 1/4 × 7 1/4 inches (21 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
L'Allegro
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and graphite on thin, slightly textured, cream wove paper mounted to moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 1/2 × 4 7/8 inches (16.5 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady with Harp
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, siightly textured wove paper mounted to card
Dimensions:
Sheet: 5 3/4 × 3 3/4 inches (14.6 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Frieze in Winchester Cathedral
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Watercolor heightened with gold on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 4 5/8 inches (10.5 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Mac - Gardening
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted to thick, red card
Dimensions:
Sheet: 6 3/4 x 3 1/4in. (17.1 x 8.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Innocence
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 4 7/8 inches (19.1 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Last House in Lynmouth
Creator:
Helen Allingham, 1848–1926
Date:
1874
Materials & Techniques:
Watercolor and gouache with scratching out on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 7 1/2 × 10 3/8 inches (19.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Muslim Wedding Procession by Night, Patna
Creator:
Unknown artist (Company style)
Date:
between 1820 and 1830
Materials & Techniques:
Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 3/4 inches (40 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Widow with the Burning Corpse of her Husband Becoming a Sati, Patna
Creator:
Unknown artist (Company style)
Date:
between 1820 and 1830
Materials & Techniques:
Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 22 3/4 inches (40.3 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund