Materials & Techniques: wove paper / Credit Line: Yale Center for British Art, Paul Mellon Fund / Date: 1793 - YCBA Collections Search Search Results

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Materials & Techniques wove paper

Credit Line Yale Center for British Art, Paul Mellon Fund

Date 1793

1. Windsor

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 × 28 inches (50.8 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Figure Composition Study 48

Figure Composition Study 48

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 5 inches (16.5 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Figure Composition Study 4

Figure Composition Study 4

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 6 3/4 inches (11.4 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Taming the Shrew, Act III, Scene II

Taming the Shrew, Act III, Scene II

Creator:: William S. Leney, 1769–1831
Date:: 1793
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 9/16 × 19 1/8 inches (42.1 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Caleb Whitefoord, F.R.S., F.S.A.

Caleb Whitefoord, F.R.S., F.S.A.

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1793
Materials & Techniques:: Mezzotint (first state) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 5/8 × 18 1/8 inches (65.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Mrs. Michael Angelo Taylor as 'Miranda'

Mrs. Michael Angelo Taylor as 'Miranda'

Creator:: Print made by James Ward, 1769–1859
Date:: ca. 1798
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/4 × 18 1/8 inches (64.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Benjamin Franklin

Benjamin Franklin

Creator:: Print made by Edward Savage, 1761–1817
Date:: 1793
Materials & Techniques:: Mezzotint on thick, rough, cream wove paper
Dimensions:: Sheet: 21 5/8 × 16 9/16 inches (54.9 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

Creator:: Print made by Daniel Orme, 1766–1837
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. The Departure Of The Sons Of Tippoo From The Zenana

The Departure Of The Sons Of Tippoo From The Zenana

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 25 1/2 inches (52.1 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Charles Marquis Cornwallis Receiving the two Sons of Tippoo Sultaun as Hostages from the Vakeel

No cover image available

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: 1793
Materials & Techniques:: Color-printed mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 22 1/2 × 26 inches (57.2 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund