Palais de Versailles, Facade du Jardin; page five [A. Pirgin, direx] (Volume Three)
4
Richard Purcell, active 1746–1766
Miss Harriet Powell
5
Print made by Jonathan Spilsbury, active 1765–1780
Catharine Macaulay
ca. 1764
6
Mabel Catherine Robinson, Born 1875
Staple Inn, Holborn
1907
7
unknown artist
The Old Houses, Holborn
8
Francesco Bartolozzi, 1728–1815
The Three Fine Arts (Fan)
9
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes."The Comte de Pralines" - plate 4
1929
10
Print made by John Spilsbury, 1730–1795
Catherine Macaulay (née Sawbridge)
1764
11
Print made by Caroline Watson, 1760–1814
The Right Honourable. James Harris, 1st Earl of Malmesbury
1797
12
Print made by Jonathan Spilsbury, active 1765–1780
Mrs. Macaulay
ca. 1764
13
Print made by James Watson, 1740–1790
Miss Trimmer
14
Miss Mary Byrne, 1776–1846
Palais de Versailles, Cour Royale, page four [A. Pirgin, direx] (Volume Three)
1829
15
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
16
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
17
Robert Smirke, 1752–1845
Untitled: Classical Pastoral Scene
18
Robert Smirke, 1752–1845
Untitled: Two Medieval Crests
19
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
20
Francesco Bartolozzi, 1728–1815
Diana Preparing for Hunting
21
Francesco Bartolozzi, 1728–1815
Invention
1787
22
Amelia Long, 1762–1837
Terrace and the Conservatory Room. Bromley Hill
between 1801 and 1837
23
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "A Conspiracy of Silence" - plate 1
1929
24
Louisa Augusta Greville, 1743–active 1762
Clerical figure with three balls balanced between his hands
ca. 1762
25
Louisa Augusta Greville, 1743–active 1762
Pastoral scene with river, cattle and woman conversing with a traveller
1762
26
Print made by Louisa Augusta Greville, 1743–active 1762
Landscape with a Youth Driving a Flock of Sheep
1761
27
Louisa Augusta Greville, 1743–active 1762
Horseman approaching three arched bridge. Pedestrians on road
undated
28
Print made by Jean Marie Delatre, 1746–1840
The Death of Mark Antony
1805
29
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Occasional Licenses" - plate 2
1929
30
Edith Oenone Somerville, 1858–1949
Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Put down one & carry two" - plate 3
1929
31
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
32
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
33
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
34
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
35
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
36
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
37
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
38
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
39
James Gillray, 1756–1815
Half Natural
1799
40
James Gillray, 1756–1815
Pen-etration
1799
41
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
42
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
43
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
44
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
45
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
46
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
47
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
48
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
49
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
50
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
51
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
52
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
53
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
54
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
55
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
56
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
57
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
58
Prints made by Cecelia Lucy Brightwell, 1811–1875
A Collection of Etchings...after Cotman, Fuseli, Rembrandt, Durer, Roysdael, Caracci, after her own designs
59
Mary Dawson Turner, 1774–1850
Collection of Portraits & Other Engravings. Many in proof state. (bound with) Views of Iceland by W. J. Hooker
60
Carolina Leighton, active 1796
Album of Twenty Etchings of Shakespearian Subjects
1796
61
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
62
Luigi Schiavonetti, 1765–1810
Troilus and Cressida, Act V, Scene II: Calcha's Tent