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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1780

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Creator Unknown artist

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unknown artist Brown Horse in a Hilly Landscape
unknown artist
Brown Horse in a Hilly Landscape
ca. 1785
Not on view
Paul Sandby Italianate Landscape with Castle, Cascade and Anglers
Paul Sandby, 1731–1809
Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
unknown artist Elevation of the Ordnance Office
unknown artist
Elevation of the Ordnance Office
after 1780
James Stewart The Royal Ass
James Stewart, 1791–1863
The Royal Ass
1780
Francesco Bartolozzi Vide Howard On Prisons
Francesco Bartolozzi, 1728–1815
Vide Howard On Prisons
1780
Francesco Bartolozzi Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
Francesco Bartolozzi, 1728–1815
Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
1780
Nathaniel Parr A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
Nathaniel Parr The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
Thomas Bowles A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
John Bowles A Perspective View of Venice
John Bowles, 1701–1779
A Perspective View of Venice
between 1780 and 1815
unknown artist A View of the Palace of Triano towards the Flower Garden
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
J. Carwitham A South-East View of the City of Boston in North America
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
John Raphael Smith A Man-Trap
Print made by John Raphael Smith, 1752–1812
A Man-Trap
c.1780
Thomas Bowles A Perspective View of the Town and Fortifications of Malta
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
J. Couse The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
J. Couse, active 1750
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
Thomas Bowles A View of Little St. Mark's Place at Venice to the Sea
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Remi Parr, active 1723–1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
unknown artist Procession of the Protestant Association to Westminster
unknown artist
Procession of the Protestant Association to Westminster
1780
unknown artist The Ladies' Shooting Poney
Engraved by unknown artist
The Ladies' Shooting Poney
1780
unknown artist South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
unknown artist
South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
1780
unknown artist Windsor Castle from the Black Road [page not numbered] (Volume Three)
unknown artist
Windsor Castle from the Black Road [page not numbered] (Volume Three)
1780
unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
undated
unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
undated
Francesco Bartolozzi Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
Francesco Bartolozzi, 1728–1815
Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
1780
unknown artist One of Six Designs for Wall Decoration
unknown artist
One of Six Designs for Wall Decoration
undated
unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
undated
unknown artist Section of the Chimney Side for the Alteration of the Great Hall
unknown artist
Section of the Chimney Side for the Alteration of the Great Hall
undated
unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
undated