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Creator Gender male

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Period 17th century

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Subject Terms mythology

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Putto Holding a Torch
Creator:
Print made by Isaac Fuller, 1606/20–1672
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/2 × 4 inches (11.4 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aeneas Entering Hades
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1675 and 1680
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 15/16 × 7 5/16 inches (25.3 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hercules before the Temple of Janus
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1680 and 1690
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 × 10 11/16 inches (34.8 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hercules before the Temple of Janus
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1680 and 1690
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/16 × 10 11/16 inches (36 × 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Vertumnus and Pomonae
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1690 and 1703
Materials & Techniques:
Mezzotint with touches of gouache on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 8 11/16 inches (29.2 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cupid's Tent
Creator:
Print made by Isaac Beckett, 1652/3–1719
Date:
1680s
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 7/16 × 7 5/16 inches (24 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund